100+ Movies like The Platform
The Forbidden Door
Both "The Platform" and "The Forbidden Door" explore dark, disturbing themes through surreal and allegorical narratives. The protagonists in both films descend into nightmarish scenarios that blur the lines between reality and imagination. They are confronted with moral dilemmas involving violence, cannibalism, and the depths of human depravity. The films use these extreme situations as metaphors for societal issues like inequality, exploitation, and the loss of humanity. The protagonists' journeys involve grappling with guilt, trauma, and the consequences of their actions, ultimately leading to a revelation or epiphany about the true nature of their experiences. The films employ nonlinear storytelling and unreliable narrators to create a sense of disorientation and question the nature of reality.
Hunger
Both "The Platform" and "Hunger" explore the depths of human depravity and the lengths people will go to survive in extreme circumstances of scarcity and confinement. The protagonists in each film are trapped in an enclosed space with limited resources, forcing them to make difficult moral choices. As time passes and desperation sets in, the characters resort to violence and cannibalism to sustain themselves, testing the boundaries of their humanity. The films examine themes of social hierarchy, power dynamics, and the breakdown of societal norms when basic needs are not met. The protagonists ultimately confront the architects of their confinement, exposing the cruelty and manipulation behind the experiments. Both films serve as disturbing allegories for the human condition and the depths people will sink to when stripped of their basic rights and dignity.
Transistor Love Story
Both "The Platform" and "Transistor Love Story" follow protagonists trapped in oppressive systems that dehumanize and exploit them. The protagonists endure harsh conditions and witness disturbing acts of violence and depravity as they struggle to survive. They are forced to make difficult moral choices, including resorting to cannibalism or other unethical acts. The stories explore themes of social inequality, corruption, and the human capacity for cruelty and resilience in the face of adversity. The protagonists undergo transformative journeys, losing their innocence and humanity at times, but ultimately finding hope or redemption through acts of compassion or sacrifice.
Oldboy
Both "The Platform" and "Oldboy" feature protagonists who are imprisoned in bizarre, dehumanizing facilities designed to inflict psychological torment. They are subjected to extreme deprivation and cruelty, forcing them to resort to disturbing acts of violence and cannibalism to survive. The protagonists' journeys involve uncovering the twisted motives behind their imprisonment, which are rooted in past transgressions and a desire for vengeance. Their ordeals strip them of their humanity and morality as they descend into madness and despair. Ultimately, the films explore themes of guilt, redemption, and the extremes people will go to when pushed to their limits. The protagonists' fates are left ambiguous, leaving the audience to ponder the psychological scars left by their harrowing experiences.
4bia
Both "The Platform" and "4bia" explore themes of human desperation, survival, and the darker aspects of human nature in extreme circumstances. The stories follow characters trapped in confined, nightmarish scenarios where they must resort to disturbing acts to survive. In "The Platform", prisoners descend into cannibalism and violence to obtain food from the platform. Similarly in "4bia", characters become possessed by vengeful spirits and turn on each other violently. Both films use supernatural and horror elements to heighten the sense of dread and hopelessness. The protagonists in each story undergo harrowing journeys of physical and psychological torment, witnessing and committing horrific acts. Ultimately, the films serve as bleak allegories about the depths humanity can sink to when stripped of societal constraints and forced into desperate survival situations.
Symmetry
Both "The Platform" and "Symmetry" explore the harsh realities and dehumanizing effects of the prison system. The protagonists, Goreng and Łukasz, are thrust into oppressive prison environments where they must navigate the brutal hierarchies and subcultures that exist among the inmates. They are forced to make difficult moral choices to survive, including acts of violence and cannibalism in "The Platform" and participating in a murder in "Symmetry". The films depict how the inhumane conditions of prison can strip away one's humanity and morality. Both protagonists undergo transformations, losing their innocence and becoming desensitized to the cruelty around them. The movies also touch on themes of injustice, as Goreng is wrongfully imprisoned and Łukasz is falsely accused. Overall, the films provide a bleak and unflinching portrayal of the dehumanizing nature of the prison system and its ability to corrupt even those with good intentions.
Monkey Kingdom
Both "Monkey Kingdom" and "The Platform" depict a harsh, hierarchical society where the lower classes struggle for survival and access to resources. In "The Platform", prisoners on lower levels have less food, mirroring how Maya and the lowborn monkeys in "Monkey Kingdom" have limited access to food sources controlled by the higher-ranking members. Maya and Goreng are both lowborn protagonists who defy their predetermined social status through resourcefulness and perseverance. They lead others in their class to find alternative food sources and challenge the oppressive system. Their journeys involve violence, cannibalism, and witnessing the cruelty of the hierarchy. Ultimately, Maya and Goreng manage to elevate their social standing and secure a better future for their offspring, overcoming the rigid social order through determination and sacrifice.
The Guys from Paradise
Both "The Guys from Paradise" and "The Platform" depict a harsh, confined environment where the characters are subjected to extreme conditions and must resort to unethical actions to survive. The protagonists in both films are imprisoned and forced to navigate a corrupt system, forming alliances and betraying others to obtain basic necessities like food. Themes of human nature, morality, and the struggle for survival in the face of oppressive circumstances are central to both stories. The plots follow the protagonists' descent into depravity as they are pushed to their limits, with violence, cannibalism, and exploitation becoming commonplace. Ultimately, both films explore how extreme environments can strip away humanity and reduce people to their most primal instincts.
Stoic
Both "The Platform" and "Stoic" explore the depths of human cruelty and depravity in confined, prison-like environments. The films follow groups of inmates who resort to violence, torture, and even cannibalism to survive their harsh conditions. In "The Platform", prisoners on lower levels are forced to fight for scraps of food, while in "Stoic", cellmates brutalize one of their own, Mitch, through humiliation and physical abuse. Both films depict the breakdown of social order and morality as the characters descend into savagery to endure their circumstances. The protagonists, Goreng in "The Platform" and Peter in "Stoic", are initially reluctant participants but are ultimately forced to commit horrific acts. The films serve as disturbing allegories for the human capacity for evil when stripped of societal constraints.
Blood
Both "The Platform" and "Blood" explore themes of human desperation and the depths people will go to survive in dire circumstances. The protagonists in both films find themselves in bleak, oppressive systems that dehumanize them. In "The Platform", the prisoners are forced into a brutal competition for limited food resources, leading to violence and cannibalism. Similarly in "Blood", Diego is driven to dispose of his daughter's body in the garbage due to his difficult living situation. The films depict the characters' psychological deterioration as they are pushed to their limits, haunted by visions and memories of their actions. Ultimately, both movies present a grim commentary on the human condition when stripped of dignity and basic needs are not met.