100+ Movies like Gone Girl
A Sort of Homecoming
Both "A Sort of Homecoming" and "Gone Girl" center around a complex, deteriorating marriage and a wife who goes missing, leading to suspicion being cast on the husband. The wives, Amy and Amy, devise elaborate schemes to frame their husbands for their disappearances, planting false evidence and manipulating public perception through the media. The husbands, Nick and Nick, are initially portrayed as apathetic and unfaithful, but as the truth unravels, it becomes clear that their wives are the true masterminds behind the deception. The movies explore themes of trust, betrayal, and the dark depths people will go to in a failing relationship. The structure follows a non-linear narrative with flashbacks revealing the complex dynamics between the couples. Ultimately, the husbands are forced to make difficult choices about whether to stay with their manipulative wives or leave, despite the consequences.
A Simple Favor
Both "A Simple Favor" and "Gone Girl" revolve around a seemingly perfect wife who meticulously constructs an elaborate scheme to frame her husband for her disappearance or murder. The wives, Amy in Gone Girl and Emily in A Simple Favor, are revealed to be cunning and manipulative con artists with hidden, dark pasts. They plant false evidence and fabricate stories to mislead the police and public into believing their husbands are responsible for their presumed deaths. The husbands, Nick and Sean, become the prime suspects and face intense media scrutiny, despite their innocence. The wives' true motives stem from a desire for revenge against their husbands' infidelity and perceived shortcomings. Both movies explore themes of deception, betrayal, and the complexities of marriage, while keeping audiences guessing about the truth until the shocking reveals at the end.
Taken in Broad Daylight
Both "Taken in Broad Daylight" and "Gone Girl" center around a woman who goes missing and is presumed to be the victim of a crime committed by her significant other. The plots follow the investigations into their disappearances, with evidence mounting against the husbands/boyfriends as the prime suspects. However, the women are revealed to be alive and have meticulously framed their partners as part of an elaborate scheme of revenge for perceived wrongdoings in the relationships. The stories explore themes of deception, betrayal, and the darker sides of marriage and intimacy. The husbands are portrayed as flawed but ultimately sympathetic characters caught in the manipulative webs spun by their psychologically disturbed wives. The narratives build suspense around the unraveling of the wives' twisted plots and the husbands' attempts to prove their innocence and escape dire consequences.
Lucky
Both "Lucky" and "Gone Girl" revolve around a seemingly normal married couple where the husband is revealed to be a psychopathic killer who murders multiple women. The wives, initially unaware of their husbands' crimes, eventually discover the truth but are torn between their desire for wealth/status and their moral compass. In both cases, the wives decide to stay with their husbands despite knowing they are killers, driven by greed and a twisted sense of loyalty. The movies explore themes of deception, moral corruption, and the lengths people will go to maintain a facade of normalcy and achieve their desires. The plot structure involves a slow reveal of the husbands' true natures through clues and red herrings, building suspense and keeping the audience guessing about the extent of the wives' knowledge and complicity.
Answers to Nothing
Both "Answers to Nothing" and "Gone Girl" revolve around complex relationship dynamics and the darker side of marriage. They explore themes of deception, betrayal, and the lengths people will go to in order to seek revenge or protect themselves. The plots involve elaborate schemes and frame-ups, with the protagonists going to extreme measures to mislead others about their true intentions and actions. The stories also deal with the aftermath of affairs and the breakdown of trust within relationships. Additionally, both films feature twists and revelations that challenge the audience's perception of the characters and events. The narratives are driven by the unraveling of secrets and the consequences of deceit within intimate partnerships.
Deadly Illusions
Both "Deadly Illusions" and "Gone Girl" revolve around a seemingly perfect marriage that unravels due to the wife's elaborate deception and framing of the husband for a crime he did not commit. The wives, Amy and Grace, meticulously plan and plant false evidence to make their husbands, Nick and Tom, appear guilty of their disappearance or murder. They exploit the media frenzy surrounding their cases to manipulate public perception against their husbands. The husbands initially appear suspicious due to the wives' carefully constructed trails of incriminating clues, but they eventually uncover the truth about their wives' psychopathic schemes. However, the wives' final acts of violence - Amy murdering Desi and Grace attacking Tom - leave the husbands trapped in the toxic marriages, unable to escape despite knowing the truth about their manipulative wives.
Breaking News in Yuba County
Both "Breaking News in Yuba County" and "Gone Girl" revolve around a wife who deceives her husband and the public by staging an elaborate disappearance and framing her husband for her supposed murder or kidnapping. The wives, Amy in Gone Girl and Sue in Breaking News in Yuba County, meticulously plant false evidence to implicate their husbands in their disappearances, driven by resentment and a desire for attention. The husbands, Nick and Karl, become the prime suspects and face intense media scrutiny, while the wives secretly orchestrate the deception from hiding. The movies explore themes of marital dysfunction, manipulation, and the power of public perception. Ultimately, the wives return and manage to evade consequences for their crimes, leaving their husbands trapped in the fabricated narratives they created.
Disappearance at Clifton Hill
Both "Disappearance at Clifton Hill" and "Gone Girl" revolve around a mysterious disappearance or crime that the main character becomes obsessed with investigating. The main characters, Abby and Nick, are unreliable narrators who engage in deception to uncover the truth. The plots involve elaborate schemes of framing and evidence planting, with shocking twists revealing the true culprit behind the central crime. The stories explore themes of marriage troubles, trust issues, and the dark side of human nature. The narratives are driven by the protagonists' determination to solve the mystery, even at great personal risk, leading to tense confrontations with powerful antagonists trying to conceal their misdeeds. Ultimately, the main characters achieve a form of closure or resolution, though with morally ambiguous outcomes.
Gone Baby Gone
Both "Gone Baby Gone" and "Gone Girl" revolve around a missing wife and the husband being suspected of foul play. The plots involve complex marital issues, infidelity, and elaborate schemes to frame the husband for the wife's disappearance or murder. The wives, Amy and Helene, are portrayed as troubled characters who meticulously plan to deceive their husbands, Nick and Patrick, and manipulate public perception against them. The husbands are private investigators who must unravel the truth behind their wives' disappearances, uncovering shocking revelations about their spouses' dark motives and the involvement of other characters like Remy, Doyle, and Desi. The movies explore themes of trust, deception, and the complexities of marriage through twisting narratives that keep the audience guessing until the climactic reveals.
Woman Thou Art Loosed: On the 7th Day
Both "Woman Thou Art Loosed: On the 7th Day" and "Gone Girl" revolve around a missing wife and the suspicion surrounding the husband. The plots explore the deterioration of a marriage, with secrets and betrayals coming to light. In both cases, the wife orchestrates an elaborate scheme to frame the husband for her disappearance or murder, planting false evidence and manipulating public perception. The husbands must navigate the investigation and media scrutiny while trying to prove their innocence. Ultimately, the wives reveal their deception, but the husbands are forced to reconcile with them due to circumstances like pregnancy. The stories delve into themes of trust, deception, and the dark side of relationships.
Secret Window
Both "Secret Window" and "Gone Girl" revolve around a seemingly ordinary married couple where the wife meticulously plans an elaborate scheme to frame her husband for her disappearance or murder. The wives, Amy and Mort's alter ego "Shooter", plant false evidence and manipulate the narrative to make their husbands appear guilty of violence against them. They exploit the media frenzy surrounding their cases to garner public sympathy. The husbands, Nick and Mort, are initially oblivious to their wives' deceptions but eventually uncover the truth. However, they are unable to prove their innocence due to the wives' careful planning and lack of evidence. In the end, the wives regain control by revealing pregnancies, trapping the husbands in the toxic marriages. Both movies explore themes of marital dysfunction, deception, and the dark side of human nature.
Searching
Both "Searching" and "Gone Girl" revolve around a missing wife/daughter and the husband/father's desperate search for the truth. In each case, the wife/daughter has staged an elaborate scheme to frame the husband/father for their disappearance or murder, driven by resentment and a desire for revenge over perceived wrongs in the relationship. The husbands are initially portrayed as suspects by law enforcement and the media based on circumstantial evidence planted by the wives. As the husbands dig deeper, they uncover their wives' deceptions and the true nature of their disappearances. However, the wives return and force the husbands to accept their twisted versions of reality, leaving the husbands trapped in toxic relationships for the sake of their unborn children. The movies explore themes of marital dysfunction, betrayal, and the lengths people will go to seek vengeance on their partners.
Deadline
Both "Deadline" and "Gone Girl" revolve around a mystery surrounding a missing or murdered woman, with the protagonist investigating the truth behind the circumstances. The plots involve uncovering dark secrets and deception within a seemingly idyllic small-town setting. The main characters are journalists or writers who become entangled in the cases, putting their personal lives and relationships at risk as they pursue the truth. The stories explore themes of trust, betrayal, and the lengths people will go to protect themselves or seek justice. The narratives unfold through a combination of present-day events and flashbacks revealing the complex backstories and motivations of the characters involved. Ultimately, the investigations uncover shocking revelations that challenge the protagonists' perceptions and force them to confront difficult moral choices.
The Vanished
Both "Gone Girl" and "The Vanished" revolve around a missing person case that takes a dark and twisted turn. In "Gone Girl", Amy goes missing and her husband Nick is suspected of foul play, only for it to be revealed that Amy faked her disappearance to frame Nick. Similarly in "The Vanished", a couple's daughter Taylor goes missing at a campsite, but it's eventually uncovered that Taylor died years ago and her parents have been living in a delusional fantasy where she's still alive, even going so far as to murder other campers in their disturbed state. The movies share the central theme of the lengths people will go to deceive others and themselves, with the protagonists engaging in elaborate schemes and manipulations. The plots are driven by unreliable narrators and the gradual unraveling of the truth behind the disappearances. Both films explore the dark side of relationships and the psychological impact of trauma and grief. The stories build suspense through red herrings and shifting perspectives, keeping the audience guessing until the shocking reveals.
The Invisible
Both "Gone Girl" and "The Invisible" explore themes of deception, manipulation, and the darker side of human nature. The central characters, Amy in "Gone Girl" and Annie in "The Invisible", are troubled individuals who resort to elaborate schemes and violence to achieve their goals. Amy fakes her own disappearance and frames her husband Nick for her presumed murder, while Annie frames Nick Powell for her crimes and nearly kills him. Both movies involve framing an innocent person and feature complex, morally ambiguous protagonists who are willing to go to extreme lengths. The plots revolve around uncovering the truth behind the deception and the consequences of the characters' actions. Additionally, both films delve into the dynamics of relationships, trust, and the lengths people will go to for revenge or self-preservation.
The Monkey's Mask
Both "Gone Girl" and "The Monkey's Mask" revolve around a missing young woman and the investigation into her disappearance. The plots involve complex relationships, deception, and dark secrets. In both films, the central female character (Amy in "Gone Girl", Mickey in "The Monkey's Mask") is revealed to have orchestrated an elaborate scheme to frame someone close to them for a crime they did not commit. The investigators (Nick in "Gone Girl", Jill in "The Monkey's Mask") become entangled in affairs with other characters connected to the missing woman. The stories explore themes of trust, betrayal, and the darker sides of human nature. Ultimately, the truth about the missing woman's fate is uncovered, revealing disturbing acts of violence and manipulation.
'Til Death Do Us Part
Both "Gone Girl" and "'Til Death Do Us Part" revolve around a seemingly perfect marriage that turns out to be deeply troubled and abusive. The wives, Amy and Madison, are victims of physical and psychological abuse from their husbands, Nick and Michael. They devise elaborate schemes to escape their husbands and frame them for their supposed deaths, faking evidence and manipulating the public narrative. The husbands are initially portrayed as sympathetic figures before the truth about their wives' ordeals is revealed. The movies explore themes of deception, revenge, and the dark side of relationships, with the wives going to extreme lengths to regain control and seek justice for the abuse they suffered.
Careful What You Wish For
Both "Gone Girl" and "Careful What You Wish For" revolve around manipulative and deceitful wives who meticulously frame their husbands for crimes they did not commit. The wives, Amy and Lena, orchestrate elaborate schemes involving faked evidence, staged crime scenes, and false narratives to make their husbands, Nick and Doug, appear guilty of their disappearance/murder. The husbands initially fall for the deception but eventually uncover the truth about their wives' sinister plots. However, the wives manage to evade justice through further manipulation and leverage, leaving the husbands trapped in the toxic relationships. The movies explore themes of betrayal, obsession, and the dark depths people can sink to in relationships gone wrong.
Brazen
Both "Gone Girl" and "Brazen" revolve around a central mystery involving a woman who goes missing or is murdered, with the initial suspicion falling on the husband or romantic partner. The plots follow a trail of clues and red herrings as the protagonists, aided by law enforcement, unravel an intricate web of deception and manipulation orchestrated by the seemingly victimized woman. The female leads, Amy in "Gone Girl" and Kathleen/Desiree in "Brazen", meticulously construct elaborate schemes to frame their partners for their supposed deaths or disappearances, driven by motives of revenge and a desire for control. The stories explore themes of marital discord, betrayal, and the darker aspects of human nature, with shocking twists and revelations that challenge the audience's perceptions of innocence and guilt. Both films feature strong female characters who subvert traditional victim roles and employ cunning tactics to achieve their goals, blurring the lines between perpetrator and victim.
The Perfect Nanny
Both "Gone Girl" and "The Perfect Nanny" revolve around a woman who meticulously crafts an elaborate scheme to deceive and manipulate those around her, particularly a man she desires. The female protagonists, Amy and Andrea/Nikki, construct intricate false narratives and plant fabricated evidence to frame the men they are obsessed with - Nick and James, respectively - for crimes they did not commit. Their motivations stem from a twisted desire for romance and control, fueled by their fascination with idealized relationships portrayed in literature. The plots follow the women's calculated efforts to stage their disappearances, create false trails implicating the men, and ultimately insert themselves back into the men's lives through deception and violence. Both stories explore themes of obsession, manipulation, and the dark extremes some may go to in pursuit of an idealized relationship or life.