100+ Movies like 365 Days
The Next 365 Days
The "365 Days" serves as a prequel to the "The Next 365 Days", establishing the central relationship between Massimo and Laura. Both movies revolve around Massimo, a powerful mafia leader, and his obsessive desire to possess Laura, a woman he becomes infatuated with. The first movie depicts Massimo kidnapping Laura and giving her 365 days to fall in love with him, while the second movie continues their tumultuous relationship after Laura survives an attack, exploring her conflicted feelings between Massimo and his rival Nacho. The movies share themes of power dynamics, obsession, and the consequences of Massimo's criminal lifestyle on his relationship with Laura. Key plot points like Laura's pregnancy, Massimo's possessiveness, and the ongoing mafia conflicts carry over from the first movie to drive the events of the second.
365 Days: This Day
The two movies share several key similarities in their plot and overall story structure: - Both center around a powerful mafia boss (Massimo) who becomes obsessed with a woman (Laura) and essentially kidnaps her, keeping her captive in an attempt to make her fall in love with him over the course of a year. - The relationships develop from an initial captor-captive dynamic into a romantic relationship, with Laura eventually reciprocating Massimo's feelings despite the unethical circumstances. - There are rival mafia factions and conflicts that create tension and danger surrounding Massimo and Laura's relationship. - Laura becomes pregnant with Massimo's child, further complicating their situation. - The movies explore themes of power dynamics, Stockholm syndrome, and the blurring of ethical lines in the context of an intense, unconventional romance.
Mafia Mamma
Both "Mafia Mamma" and "365 Days" revolve around a woman who unexpectedly becomes involved with a powerful crime family. In the "Mafia Mamma", Kristin inherits the role of boss of the Balbano Mafia family after her grandfather's death, while in the "365 Days", Laura is kidnapped by Massimo, the leader of the Torricelli Mafia family, who aims to make her fall in love with him over 365 days. The stories explore the women's transitions into the criminal underworld, their relationships with the male crime bosses, and the conflicts that arise from their new roles. Both Kristin and Laura initially resist their situations but gradually adapt and embrace their positions within the Mafia families. The movies also depict power struggles and violence between rival crime organizations.
The Immortal
Both "The Immortal" and "365 Days" revolve around powerful crime bosses who become infatuated with women and go to extreme lengths to possess them. In The Immortal, Ciro Di Marzio is a criminal negotiator who becomes involved with the Russian mafia in Latvia, paralleling Massimo Torricelli's role as a mafia leader in 365 Days. Both men kidnap the women they desire - Ciro takes Vera hostage to negotiate with the Latvians, while Massimo abducts Laura and holds her captive for 365 days to make her fall in love with him. The movies explore themes of obsession, power dynamics, and the criminal underworld through the lens of these intense relationships. Additionally, both films feature violent conflicts between rival crime organizations that escalate the stakes and danger for the central characters.
House of Gucci
Both "House of Gucci" and "365 Days" center around a powerful, wealthy man who becomes obsessed with a woman and pursues her aggressively. In House of Gucci, Maurizio Gucci is the heir to the Gucci fashion empire who falls for Patrizia Reggiani, an outsider who schemes to gain control of the company. In 365 Days, Massimo Torricelli is a mafia boss who kidnaps Laura and holds her captive for a year in an attempt to make her fall in love with him. The women initially resist the men's advances but eventually give in to their desires. The relationships become tumultuous as the women manipulate the men to gain power and status within their respective worlds of fashion and crime. Betrayal, violence, and tragedy ultimately tear the couples apart, with the women resorting to murder to eliminate their former lovers. Both films explore themes of obsession, greed, and the corrupting influence of wealth and power on relationships.
The Consequences of Love
Both "The Consequences of Love" and "365 Days" revolve around a man involved with the mafia who becomes infatuated with a woman. In The Consequences of Love, Titta is a mafia pawn who develops feelings for a hotel waitress named Sofia. Similarly, in 365 Days, Massimo, the leader of a mafia crime family, kidnaps Laura and holds her captive for a year in an attempt to make her fall in love with him. The two men take drastic actions driven by their obsession, with Titta stealing money to buy Sofia a gift and Massimo resorting to kidnapping. Both films explore themes of loneliness, desire, and the consequences of being involved with organized crime. The protagonists' lives become increasingly complicated as their romantic pursuits intertwine with their mafia ties, leading to tense confrontations and dangerous situations. Ultimately, the movies parallel each other in depicting the lengths these men will go to for love, even if it means defying the criminal organizations they are a part of.
Gomorrah
Both "Gomorrah" and "365 Days" revolve around the gritty world of organized crime, with the main characters deeply entangled in mafia activities. The plots explore themes of power struggles, violence, and the consequences of criminal lifestyles. In Gomorrah, the story follows multiple characters whose lives are impacted by the Camorra crime syndicate in Naples, while 365 Days centers around the Torricelli Sicilian Mafia family and the kidnapping of a woman by the mafia boss. The movies share similarities in depicting the ruthless nature of mafia operations, with characters resorting to violence, murder, and illegal activities to maintain control and settle disputes. Both films also touch on the themes of loyalty, betrayal, and the allure of power within criminal organizations. Additionally, the movies explore the personal lives and relationships of characters involved in the criminal underworld, showcasing the blurred lines between their professional and personal spheres. In Gomorrah, characters like Pasquale and Roberto navigate the ethical dilemmas of their work, while in 365 Days, the central romance between Massimo and Laura is intertwined with Massimo's mafia ties.
Black Souls
Both "Black Souls" and "365 Days" revolve around powerful crime families and the violent conflicts that arise between them. In Black Souls, Luigi is a member of the 'Ndrangheta crime syndicate who gets embroiled in a feud with a rival clan, leading to his murder and a cycle of vengeance within his family. Similarly, in 365 Days, Massimo is the leader of the Torricelli Mafia family who kidnaps Laura and becomes entangled in a violent gang war with a rival family after an incident at a club. The movies explore themes of family loyalty, honor, and the generational perpetuation of violence within criminal organizations. In Black Souls, the three brothers are torn between their allegiances to the family business and their personal desires, culminating in tragedy. Likewise, in 365 Days, Massimo's devotion to Laura and his crime family leads to escalating conflicts and bloodshed. Both films depict the brutal realities of life within the criminal underworld, where violence is a constant threat and retribution is swift and merciless. The protagonists are forced to navigate complex power dynamics, betrayals, and the consequences of their actions, often leading to tragic outcomes for themselves and their loved ones.
Gigli
Both "Gigli" and "365 Days" involve a criminal underworld and organized crime, with the main characters being members of powerful crime families or organizations. The plots center around a romantic relationship between a male criminal and a woman he becomes obsessed with and essentially kidnaps or holds captive. There are themes of power dynamics, control, and the male character's willingness to use violence and intimidation to get what he wants from the woman. The stories explore the woman's conflicted feelings as she develops an attraction to her captor despite the unethical circumstances. The movies also depict internal conflicts and power struggles within the criminal organizations.
Don't Move
Both "Don't Move" and "365 Days" revolve around a central romantic relationship that develops under unconventional and morally ambiguous circumstances. In "Don't Move," the surgeon Timoteo has an affair with Italia, a woman he meets at a bar, despite being married with a pregnant wife. Similarly, in "365 Days," the mafia boss Massimo kidnaps Laura and holds her captive for a year in an attempt to make her fall in love with him. The relationships in both films are characterized by power imbalances, with the male protagonists exerting control and dominance over the female characters. Timoteo rapes Italia initially, while Massimo essentially imprisons Laura against her will. However, the women eventually develop feelings for their captors/lovers, leading to complex emotional entanglements. Both movies explore themes of obsession, desire, and the moral ambiguity of the central relationships. The protagonists' actions are portrayed as morally questionable, yet the films also depict the intense passion and emotional connections that develop between the characters. Structurally, both movies employ flashbacks and non-linear storytelling to reveal the backstories and development of the central relationships. The narratives also involve elements of suspense and drama, with the protagonists facing various obstacles and conflicts related to their unconventional romantic entanglements.
Burning Hearts
Both "Burning Hearts" and "365 Days" revolve around powerful mafia families engaged in violent conflicts and power struggles. The main characters are members of rival mafia clans who become romantically involved, defying the long-standing feud between their families. This forbidden love ignites further bloodshed and escalates the war between the crime families. The stories explore themes of passion, betrayal, and the cycle of vengeance within the dangerous world of organized crime. The protagonists must navigate the harsh realities of their criminal underworld while grappling with their intense feelings for each other, despite the grave consequences. Ultimately, the movies depict how love becomes entangled with violence and retribution in these mafia dynasties.
Easy Money III: Life Deluxe
Both "Easy Money III: Life Deluxe" and "365 Days" revolve around the criminal underworld and organized crime, with the protagonists being involved with powerful crime families. The main characters become romantically entangled with women, leading to dangerous situations and conflicts with rival criminal organizations. There are themes of love, betrayal, and the struggle between criminal life and personal desires. The plots feature kidnappings, violence, and power struggles within the criminal hierarchies. Ultimately, the protagonists must make difficult choices between their criminal ties and their romantic relationships.
22 Bullets
Both "22 Bullets" and "365 Days" revolve around powerful crime bosses who become entangled in dangerous conflicts and violent vendettas. The main characters are hardened mafia leaders who find themselves targeted by rivals and betrayed by those close to them. They are forced to take extreme measures to protect themselves and their families, leading to intense action sequences and high-stakes confrontations. Themes of loyalty, betrayal, and the consequences of a life of crime are central to both stories. The movies also explore the protagonists' romantic relationships and their struggles to balance their criminal enterprises with their personal lives and loved ones. Despite their violent pasts, the main characters ultimately seek redemption and a chance to leave their criminal lives behind.
Cinderella the Cat
Both "Cinderella the Cat" and "365 Days" revolve around powerful crime families and their leaders. In the "Cinderella the Cat", Vittorio Basile is a wealthy shipowner who is killed by the drug lord O' Re (Lo Giusto), who wants control of Basile's inheritance through his daughter Mia. Similarly, in 365 Days, Massimo Torricelli is the leader of a Sicilian mafia family who becomes obsessed with Laura and kidnaps her, intending to make her fall in love with him within a year. The movies share themes of power, greed, and criminal ambition, with the antagonists (O' Re and Massimo) driven by their desires for wealth, control, and the women they desire (Mia and Laura). Both movies feature a central romance between the male criminal leader and a young woman, with elements of coercion and Stockholm syndrome. The plots involve criminal activities like drug trafficking, murder, and gang wars, as well as lavish lifestyles and luxurious settings. There are violent confrontations between rival factions, with the protagonists caught in the crossfire. Ultimately, the movies climax with dramatic events that threaten the lives of the main characters and force them to confront the consequences of their actions.
Bastards
Both "Bastards" and "365 Days" center around a powerful, wealthy man who becomes obsessed with a woman and takes extreme measures to possess her. In the "Bastards", Marco has an affair with Raphaëlle, the wife of the wealthy businessman Edouard Laporte, who is involved in the sexual abuse of Marco's niece Justine. In the "365 Days", the mafia boss Massimo kidnaps Laura and holds her captive for 365 days in an attempt to make her fall in love with him. Both movies explore themes of obsession, power dynamics, and the exploitation of women. The main characters engage in morally questionable acts driven by their desires, leading to violence and tragedy. The movies also depict the darker aspects of wealth, privilege, and criminal underworlds.
At War for Love
Both "At War for Love" and "365 Days" involve a central romance between an Italian-American man and a woman, with the man's ties to the Sicilian Mafia creating complications and danger for their relationship. In the "At War for Love", Arturo is a Sicilian immigrant in love with Flora but faces opposition from her uncle who has promised her to the son of a Mafia boss. In the "365 Days", Massimo, a Mafia leader, kidnaps Laura and tries to make her fall in love with him over 365 days. The plots follow the men's efforts to be with the women they love despite the criminal underworld they inhabit. Both movies depict the alliance between American forces and the Sicilian Mafia during World War II, with American commanders working with Mafia bosses to aid the invasion of Sicily. This collusion allows Mafia figures to gain power and influence in the postwar period. The "At War for Love" shows how this enabled the rise of the Mafia's political arm, the Christian Democrats, while the "365 Days" hints at ongoing Mafia conflicts and power struggles. The movies also touch on themes of forbidden love, with societal pressures and criminal associations creating obstacles for the central couples. There are parallels in how the male protagonists must navigate their dangerous worlds while trying to win over the women they love through romantic gestures and perseverance.
Senza nessuna pietà
Both "Senza nessuna pietà" and "365 Days" revolve around the criminal underworld and mafia families. The protagonists, Mimmo and Massimo, are members of powerful crime families who become infatuated with women from outside their world. They take drastic actions to be with these women, with Mimmo kidnapping Tania and Massimo kidnapping Laura and holding her captive for 365 days in an attempt to make her fall in love with him. The stories explore themes of power, violence, forbidden love, and the struggle between family loyalty and personal desires. The protagonists' ruthless behavior contrasts with their vulnerability when it comes to the objects of their affection. Both movies depict the dangerous consequences of crossing mafia families and the intense conflicts that arise.
Maria
Both "Maria" and "365 Days" revolve around a powerful crime boss who becomes obsessed with a woman and goes to extreme lengths to possess her. The main characters are forced into a dangerous situation against their will, with the crime boss using violence and intimidation to keep them captive. Over time, the woman develops feelings for her captor despite the circumstances. The movies explore themes of power dynamics, forbidden love, and the dark underbelly of organized crime. There are intense action sequences and a central romance that blossoms amidst the criminal underworld. The stories follow a similar narrative arc of the woman being taken, resisting her captor initially, then eventually falling for him as they grow closer, culminating in a climactic confrontation with rival criminal forces.
People Who Are Well
Both "People Who Are Well" and "365 Days" center around a male protagonist who becomes entangled in a morally dubious situation involving a romantic relationship. In the "People Who Are Well", Umberto pursues an affair with Morgana, the wife of the man offering him a job, driven by ambition and revenge against his own wife. Similarly, in 365 Days, Massimo kidnaps Laura and holds her captive for a year in an attempt to make her fall in love with him, fueled by his obsession after seeing her years earlier. The protagonists' actions lead to tragic consequences - Morgana's death in a car accident in the "People Who Are Well", and Laura's kidnapping and the escalating mafia conflict in 365 Days. Both movies explore themes of power, desire, and the moral compromises people make in pursuit of their goals. The stories also depict strained marital relationships, with Umberto's wife Carla leaving him, and Laura being unhappy with her boyfriend Martin before her kidnapping. Ultimately, the protagonists' choices strain their existing relationships while leading them down darker paths with new romantic interests.
Everybody Knows
Both "Everybody Knows" and "365 Days" revolve around a central kidnapping plot involving a young woman. In the "Everybody Knows", Laura's daughter Irene is kidnapped by family members and held for ransom, while in the "365 Days", Massimo kidnaps Laura herself and holds her captive for 365 days in an attempt to make her fall in love with him. The kidnapping creates tension and conflict within the families, as they struggle to deal with the situation and raise the ransom money. Both movies explore themes of family secrets, betrayal, and the lengths people will go to for love or money. The revelation of Irene's true paternity in the "Everybody Knows" parallels the complicated romantic entanglement between Laura and Massimo in the "365 Days". Overall, the two movies share a similar premise of a kidnapping driving the central conflict and exposing hidden truths within the families.