100+ Movies like The Prestige
The Incredible Burt Wonderstone
Both "The Incredible Burt Wonderstone" and "The Prestige" revolve around the rivalry between two magicians and their obsession with creating the ultimate illusion. In The Prestige, Robert Angier and Alfred Borden engage in a bitter feud to outdo each other's "Transported Man" trick, going to extreme lengths including sabotage and murder. Similarly, in The Incredible Burt Wonderstone, Burt Wonderstone and Steve Gray compete to perform the most shocking and dangerous stunts, with Gray's "Brain Rapist" act threatening to overshadow Burt's traditional magic show. The movies explore the dark side of the magician's craft, where the pursuit of fame and the perfect illusion consumes the protagonists, leading to tragic consequences. The central themes of rivalry, obsession, and the sacrifices made for the art of deception are common to both films.
Now You See Me
Both "Now You See Me" and "The Prestige" revolve around rival groups of magicians engaged in an escalating feud, driven by a desire for revenge and to outdo each other with increasingly elaborate illusions. The central conflict stems from a tragic event - the death of a loved one in The Prestige, and the ruining of a magician's career in Now You See Me. This fuels an obsessive rivalry where the magicians go to extreme lengths, including sabotage and deception, to create the ultimate illusion and expose their rival's secrets. The plots involve complex misdirection, with characters operating under multiple identities and disguises to carry out their schemes. The magicians also employ advanced technology and scientific principles to achieve seemingly impossible feats of teleportation and duplication. Ultimately, the movies explore the dark consequences of the characters' obsessions and the sacrifices they make in pursuit of their craft.
Magicians
Both "Magicians" and "The Prestige" revolve around the intense rivalry between two magicians, driven by betrayal and obsession with outdoing each other. The central conflict stems from a tragic accident involving a woman close to the magicians, leading to a bitter feud that consumes their lives. The magicians resort to increasingly dangerous and unethical means to sabotage each other's acts and steal each other's secrets, culminating in a climactic final performance where the truth about their deceptions is revealed. The themes of sacrifice, the blurred line between illusion and reality, and the destructive nature of obsession are explored in both films through the lens of the magicians' rivalry.
V/H/S: Viral
Both "V/H/S: Viral" and "The Prestige" involve obsessive rivalries between men pursuing the same goal - in The Prestige, two magicians are obsessed with outdoing each other's teleportation trick, while in V/H/S: Viral, Kevin is obsessively pursuing the ice cream truck to rescue his girlfriend and create a viral video. The movies also share themes of the dark consequences of obsession, with characters resorting to unethical and dangerous acts to achieve their aims. Additionally, both films employ framing devices and nested storylines to explore their central narratives from multiple perspectives. The Prestige uses Borden's diary and Angier's disguise to reveal the truth behind their rivalry, while V/H/S: Viral is framed as an investigative documentary interspersed with Kevin's pursuit of the truck and the other disturbing vignettes.
Tesla
Both "The Prestige" and "Tesla" revolve around the rivalry between two brilliant innovators in their respective fields - magicians in "The Prestige" and inventors in "Tesla". The central conflict stems from the intense competition and jealousy between the protagonists, Robert Angier and Alfred Borden in "The Prestige", and Nikola Tesla and Thomas Edison in "Tesla". Their obsession with outdoing each other leads them down dark paths, sacrificing personal relationships and ethics. The movies explore the themes of ambition, sacrifice, and the pursuit of groundbreaking discoveries or illusions at any cost. Both films depict the protagonists' relentless efforts to unravel their rivals' secrets and develop superior innovations or tricks, often resorting to deception and sabotage. The narratives are driven by the escalating feud between the central characters, culminating in tragic consequences and the revelation of shocking twists surrounding their methods and identities.
The Illusionist
Both "The Prestige" and "The Illusionist" revolve around rival magicians engaged in an intense feud, driven by love, jealousy, and the pursuit of the ultimate illusion. The plots follow the magicians' obsession with outdoing each other, leading to deception, sabotage, and tragic consequences. Central to both stories is the use of intricate illusions and tricks, with the magicians going to great lengths to uncover each other's secrets. Love triangles and forbidden romances further fuel the conflicts. The films explore themes of obsession, sacrifice, and the blurred lines between reality and illusion. Both climax with shocking revelations about the magicians' methods and identities, leaving the audience questioning what is real. The parallel narratives showcase the magicians' ingenuity and the extremes they are willing to go to achieve their goals, ultimately leading to their downfall.
Sleight
Both "The Prestige" and "Sleight" revolve around protagonists who are skilled magicians/illusionists using their talents for more nefarious purposes. In "The Prestige", Robert Angier and Alfred Borden engage in an escalating rivalry and feud, sabotaging each other's acts and going to extreme lengths to uncover each other's secrets. Similarly, in "Sleight", Bo Wolfe uses his skills as a street magician and his homemade electromagnetic device to engage in illegal activities like drug dealing to support his sister, eventually getting entangled with dangerous criminal elements. Both films explore the darker side of magic and illusion, with the protagonists resorting to deception, theft, and even violence to achieve their goals or gain an advantage over their rivals/enemies. The themes of obsession, sacrifice, and the consequences of one's actions are central to both narratives.
Magic in the Moonlight
Both "Magic in the Moonlight" and "The Prestige" revolve around the world of magic and illusion, with a central conflict between rival magicians or illusionists. In "The Prestige", the rivalry between Angier and Borden drives the plot as they try to outdo each other's tricks, particularly the "Transported Man" illusion. Similarly in "Magic in the Moonlight", Stanley is brought in to debunk the supposed clairvoyant Sophie, leading to a battle of wits and deception between them. The movies explore the lengths magicians will go to protect their secrets and one-up their rivals, including sabotage, deception, and even sacrificing their own well-being. Both feature magicians who use elaborate ruses and tricks to fool their audiences and each other, blurring the lines between reality and illusion. Ultimately, the rivalries in both movies lead to romantic entanglements, with Angier and Stanley both becoming infatuated with the women at the center of the deception (Olivia and Sophie, respectively). The movies also touch on themes of obsession, sacrifice, and the price of pursuing one's craft at all costs.
The Wizard of Gore
Both "The Prestige" and "The Wizard of Gore" revolve around magicians performing elaborate and gruesome illusions involving the apparent murder of people, only for the victims to reappear unharmed at the end. However, the illusions take a dark turn when the victims are later found dead, mirroring the brutal acts performed on stage. This sets up a mystery around how the magicians are able to seemingly kill people during their acts. The films explore the obsession and rivalry between magicians willing to go to extreme lengths to outdo each other and uncover each other's secrets, blurring the line between illusion and reality.
Edison And Leo
Both "Edison And Leo" and "The Prestige" revolve around a rivalry between two men obsessed with outdoing each other through their inventions and tricks. In The Prestige, Robert Angier and Alfred Borden are rival magicians who go to extreme lengths, including sabotage and murder, to uncover each other's secrets and perfect the ultimate illusion, "The Transported Man". Similarly, in Edison And Leo, George T. Edison and his son Leo are locked in a feud, with George driven to madness in his pursuit of inventions to outdo Leo's electrical powers. Both films explore the destructive consequences of obsession and the sacrifices the characters make, including the loss of loved ones, in their quests for supremacy over their rivals. The movies also involve elements of deception, with characters adopting false identities or using twins to conceal their methods, mirroring the misdirection and illusion central to magic and invention.
The Imaginarium of Doctor Parnassus
Both "The Prestige" and "The Imaginarium of Doctor Parnassus" revolve around a rivalry between two magicians/performers and their obsessive pursuit of the ultimate illusion or trick. In "The Prestige", Robert Angier and Alfred Borden engage in a bitter feud to outdo each other's "Transported Man" trick, while in "Imaginarium", Doctor Parnassus makes a wager with the Devil (Mr. Nick) to win souls through his magical Imaginarium. The movies explore themes of sacrifice, deception, and the lengths people will go for their craft or desires. Both feature fantastical elements like teleportation machines and dream worlds, as well as tragic character arcs involving the loss of loved ones. The climaxes reveal the shocking secrets behind the magicians' tricks, with Angier using a cloning machine and Borden being a set of twins, while Parnassus' Imaginarium is a metaphysical realm. Ultimately, the pursuit of perfection and defying reality comes at a heavy personal cost for the protagonists.
Sherlock Holmes
Both "The Prestige" and "Sherlock Holmes" are set in late 19th century London and revolve around a rivalry between two skilled practitioners of illusion and deception. In "The Prestige", the rivalry is between magicians Robert Angier and Alfred Borden, while in "Sherlock Holmes" it is between the detective Sherlock Holmes and the occult practitioner Lord Blackwood. The movies explore themes of obsession, sacrifice, and the blurring of lines between reality and illusion. Both feature complex plots with twists and reveals about the true nature of the characters and their methods. The protagonists engage in an escalating battle of wits and trickery, each trying to outmaneuver and expose the other's secrets. Ultimately, the movies delve into the darker consequences of their obsessive pursuits and the toll it takes on those around them.
Steamboy
Both "The Prestige" and "Steamboy" revolve around the theme of scientific and technological advancement, with a focus on the moral implications and potential misuse of powerful inventions. The central conflict in both films arises from a rivalry between two brilliant minds - Angier and Borden in "The Prestige", and Eddy and Lloyd in "Steamboy" - who become estranged due to differing ideologies and a tragic incident. Their obsession with outdoing each other leads them down a dark path, sacrificing ethics and relationships in pursuit of their goals. The films explore the duality of human nature, with characters torn between their noble aspirations and selfish desires for power and revenge. Ultimately, both stories culminate in a spectacular display of the groundbreaking technology at the heart of the conflict, with devastating consequences that force the protagonists to confront the true cost of their ambitions.
Blade: The Iron Cross
Both "Blade: The Iron Cross" and "The Prestige" involve a bitter rivalry and feud between two central characters driven by obsession and a desire for vengeance. In "The Prestige", the magicians Robert Angier and Alfred Borden become sworn enemies after a tragic accident, sabotaging each other's acts and going to extreme lengths to uncover each other's secrets. Similarly in "Blade: The Iron Cross", the puppet Blade seeks revenge against the Nazi doctor Hauser for unfinished business from Blade's human life. The movies parallel each other in depicting the characters' descent into darkness and inhumanity as they pursue their vendettas, sacrificing morality and loved ones. A key theme is the price of obsession, as both Angier and Blade employ dangerous supernatural means - Angier's duplication machine and Blade's dark powers - to achieve their goals, leading to dire consequences. The climaxes reveal shocking twists about the true natures of the central characters and the deceptions they employed.
Die, Mommie, Die!
Both "Die, Mommie, Die!" and "The Prestige" revolve around sibling rivalry and identity deception. In "The Prestige", two magicians engage in an escalating feud, sabotaging each other's acts and going to extreme lengths to uncover the other's secrets. Similarly, in "Die, Mommie, Die!", twin sisters Barbara and Angela are locked in a bitter rivalry over fame and success, with Barbara ultimately poisoning Angela and assuming her identity. Both films explore the dark consequences of obsession and the lengths people will go to achieve their goals or seek revenge. The central characters engage in elaborate deceptions, with Angier using a machine to create duplicates of himself and the Borden twins sharing an identity to perform their transported man trick. Likewise, Barbara poisons her sister and takes over her life, while Sol fakes his own death. The movies share themes of duality, the blurring of identity, and the destructive power of jealousy and obsession.
Oz the Great and Powerful
Both "Oz the Great and Powerful" and "The Prestige" center around a rivalry between two men who are illusionists/magicians. In "The Prestige", Robert Angier and Alfred Borden are bitter rivals who go to extreme lengths to outdo each other's magic tricks, leading to obsession and tragedy. Similarly in "Oz the Great and Powerful", Oscar Diggs and the Wicked Witches Theodora and Evanora engage in a battle of illusions and deception to gain control over the Land of Oz. The protagonists in both films use advanced technology and trickery to create grand illusions and deceive others. Angier employs Nikola Tesla's machine to perform "The Real Transported Man" trick, while Oscar uses projectors and machinery to present himself as a powerful wizard. Deception and maintaining illusions are central themes. Both stories involve love triangles and romantic entanglements that fuel the conflicts. In "The Prestige", Angier's wife Julia dies, leading to his feud with Borden, while Olivia becomes caught between the two rivals. In "Oz", Theodora falls for Oscar but is betrayed, turning her wicked. The protagonists' selfish actions and lies damage their relationships. Ultimately, the films explore the lengths people will go for fame, power, and revenge, as well as the consequences of obsession and deception. The climaxes involve grand illusions that reveal the protagonists' true natures and the sacrifices they've made.
The Curse of the Jade Scorpion
Both "The Curse of the Jade Scorpion" and "The Prestige" involve a rivalry and feud between two men, with elements of deception, trickery, and obsession driving the conflict. In The Prestige, the rivalry between magicians Robert Angier and Alfred Borden leads to an escalating series of sabotages and attempts to uncover each other's secrets, culminating in a shocking twist involving doubles and sacrifices. Similarly, in The Curse of the Jade Scorpion, the hypnotist Voltan manipulates insurance investigator C.W. Briggs and Betty Ann Fitzgerald into committing crimes, leading to a complex web of deception and a love triangle. Both films explore themes of obsession, the lengths people will go to achieve their goals, and the consequences of deceit and revenge. The twists and reveals in the climax of each movie parallel each other, with the protagonists' true motivations and identities being unveiled in surprising ways.
Death Defying Acts
Both "The Prestige" and "Death Defying Acts" revolve around the world of magic and illusion, with a central conflict between rival magicians. In "The Prestige", the rivalry between Angier and Borden drives the plot, as they sabotage each other's acts and go to extreme lengths to uncover each other's secrets. Similarly, in "Death Defying Acts", the con artist Mary McGarvie and her daughter Benji attempt to deceive the famous magician Harry Houdini for a monetary reward, leading to a complex relationship between them. Both films explore the themes of obsession, deception, and the lengths people will go to achieve their goals in the world of magic and illusion. The climax of each film involves a major revelation or twist related to the magicians' acts and the secrets behind them. Additionally, both movies feature a romantic subplot between the central magician and a female character involved in the deception.
The King's Man
Both "The Prestige" and "The King's Man" revolve around a bitter rivalry and feud between two men driven by tragedy and a thirst for vengeance. In "The Prestige", the rivalry is between magicians Robert Angier and Alfred Borden after Angier's wife dies in a trick gone wrong, while in "The King's Man", the feud is between Orlando and his former aide Morton after Morton orchestrates the assassination of Lord Kitchener. The movies explore the lengths these men go to in their pursuit of revenge, resorting to deception, sabotage, and even murder. The plots are driven by the escalating conflict between the rivals as they try to outmaneuver and undermine each other, leading to tragic consequences. Both films also feature a mysterious, powerful figure pulling the strings behind the scenes - Nikola Tesla in "The Prestige" and the enigmatic "Shepherd" in "The King's Man". Additionally, the movies share themes of sacrifice, the blurring of identity, and the destructive nature of obsession and vengeance.
Lizzie
Both "The Prestige" and "Lizzie" explore themes of obsession, rivalry, and the lengths people will go to achieve their goals or seek revenge. The movies center around intense feuds between two parties - Angier and Borden in "The Prestige", and Lizzie Borden and her father/stepmother in "Lizzie". These feuds escalate to extreme acts of violence and deception, with each side sabotaging and undermining the other. The protagonists resort to increasingly unethical and dangerous methods, including murder, to gain the upper hand. The movies also depict close, intimate relationships that become entangled in the feuds, with Olivia caught between Angier and Borden, and Lizzie's romantic relationship with Bridget fueling her actions against her family. Ultimately, both movies climax with shocking acts of violence carried out through elaborate deceptions and misdirections.