100+ Movies like Blade Runner
Blade Runner 2049
"Blade Runner 2049" is a direct sequel to "Blade Runner", set 30 years after the events of the original film. Both movies revolve around replicants - bioengineered humans - and the blade runners tasked with hunting and "retiring" (killing) rogue replicants. The central character K in "2049" is a new blade runner, similar to Rick Deckard in the original, who uncovers a secret about replicants being able to reproduce biologically, previously thought impossible. This leads to a larger conflict between replicants and humans, mirroring the core conflict in "Blade Runner". Key characters from the original like Deckard and Rachael play pivotal roles, and the sequel explores the implications of their relationship and Rachael's child. The movies share themes of humanity, identity, and the ethics of artificial life. Both feature a futuristic, dystopian setting with a noir atmosphere and visual style. The sequel builds upon the story and world established in the original while introducing new characters and expanding the narrative.
2048: Nowhere to Run
"2048: Nowhere to Run" is a futuristic sci-fi film set in a dystopian Los Angeles, similar to "Blade Runner". It explores the concept of replicants - bioengineered humanoids created by corporations like the Wallace Corporation (analogous to the Tyrell Corporation in "Blade Runner"). The protagonist, Sapper Morton, is a replicant who displays superhuman abilities, paralleling characters like Roy Batty. The film deals with themes of humanity, mortality, and the ethical implications of creating artificial life, much like "Blade Runner". The prologue provides backstory about a global environmental crisis and the banning of replicant production after a catastrophic event, setting the stage for the Wallace Corporation's revival of the technology, mirroring the Tyrell Corporation's role in "Blade Runner". Overall, "2048: Nowhere to Run" appears to be a spiritual successor to "Blade Runner", exploring similar philosophical questions in a futuristic, cyberpunk setting.
Blade Runner: Black Out 2022
"Blade Runner: Black Out 2022" is a direct sequel to "Blade Runner", set 3 years after the events of the original film. Both movies explore the conflict between replicants (bioengineered humanoids) and humans, with replicants fighting for their freedom and survival against the corporations that created them. In "Black Out 2022", a new line of replicants with open-ended lifespans leads to unrest, mirroring the central conflict in "Blade Runner" where replicants were hunted due to their limited lifespans. The replicant characters Trixie and Iggy parallel Roy Batty and the other replicants from the original, rebelling against their creators at the Tyrell Corporation. Their mission to sabotage Tyrell's databases and servers echoes Roy's confrontation with Tyrell. The electromagnetic pulse that wipes out data in Los Angeles is a major plot point, leading to a global collapse similar to the bleak future depicted in "Blade Runner". The rise of the Wallace Corporation acquiring Tyrell sets the stage for the events of the sequel "Blade Runner 2049".
2036: Nexus Dawn
"2036: Nexus Dawn" is a prequel story to "Blade Runner" that explores the origins of the new generation of replicants, the Nexus-9 models. Like "Blade Runner", it deals with the ethical and legal debates surrounding the creation and use of bioengineered humanoids for labor. Niander Wallace, the CEO of the Wallace Corporation, seeks to manufacture replicants to help sustain humanity in the face of an ecological collapse, paralleling the role of the Tyrell Corporation in "Blade Runner". Wallace's demonstration of a replicant's obedience and lack of threat to humans mirrors the Voight-Kampff test used to distinguish replicants from humans in the original film. The prologue also establishes the backstory of the "Blackout" event that led to the bankruptcy of Tyrell and the ban on replicant production, setting the stage for the events of "Blade Runner".
Replicant
"Replicant" closely parallels the core premise and story arc of "Blade Runner". Both films center around replicants - bioengineered humanoids that are nearly indistinguishable from humans. A central character is tasked with tracking down and "retiring" (killing) rogue replicants that have gone against their programming. This character forms an unlikely bond with one of the replicants, who begins to question their own nature and identity. The replicants are seeking answers about their existence and longevity from their creators. There are confrontations between the replicants and their creators/handlers that turn violent. Ultimately, the main replicant character sacrifices itself to save the human protagonist, displaying an ability to transcend their programming. The films explore themes of humanity, mortality, and what it means to be alive.
Vice
Both "Blade Runner" and "Vice" are set in futuristic worlds where advanced androids or replicants are created to serve humans. The androids are designed to be nearly indistinguishable from real humans, with implanted memories and emotions. However, they are treated as disposable property by corporations and subjected to exploitation and violence by humans. The stories follow protagonists (Deckard in "Blade Runner", Kelly and Tedeschi in "Vice") who initially work within the system but come to question the treatment of the androids and ultimately ally with them against the corporations. Key plot points involve the protagonists discovering the true nature of the androids, the corporations' sinister plans for expanding android use, and the androids gaining self-awareness and rebelling against their creators. Themes of humanity, empathy, and the ethical implications of advanced technology are central to both films.
RoboCop
Both "Blade Runner" and "RoboCop" explore the theme of humanity versus technology and the ethical implications of creating artificial beings. The protagonists, Rick Deckard and Alex Murphy, are tasked with hunting down and "retiring" rogue replicants/cyborgs who have gone against their programming. They grapple with the moral dilemma of their roles and the nature of these artificial beings, questioning whether they possess true consciousness and emotions. The corporations behind the creation of replicants/cyborgs, the Tyrell Corporation and OmniCorp, prioritize their technological advancements over ethical considerations. The films also delve into the concept of implanted memories and the blurring of lines between human and machine, as seen with Rachael in "Blade Runner" and Murphy's transformation in "RoboCop". Both stories culminate in a confrontation between the protagonists and the rogue artificial beings, leading to a resolution that challenges the status quo and raises questions about the future of human-machine coexistence.
EVA
EVA parallels Blade Runner in its central premise of artificial beings that are nearly indistinguishable from humans. Like Blade Runner's replicants, EVA is an advanced android modeled after a human child, with implanted memories and emotions to make her seem real. The protagonist Álex, similar to Deckard, is tasked with creating and interacting with this artificial being, leading to complex moral questions about the nature of life and consciousness. Both films explore the blurring lines between humans and machines, with the androids developing human traits like emotions and desires. Key plot points mirror each other, such as the creators' inability to control their creations, the tragic demise of the android protagonists, and the central romantic conflicts. The overarching themes of humanity's hubris in playing God and the ethics of exploiting artificial life are core to both narratives.
Ex Machina
Both "Blade Runner" and "Ex Machina" explore the theme of artificial intelligence and the blurring lines between humans and machines. The central conflict revolves around advanced humanoid robots/replicants that are nearly indistinguishable from humans, raising questions about consciousness, emotions, and what it means to be alive. The protagonists, Deckard and Caleb, are tasked with evaluating the capabilities and humanity of the AI creations (replicants and Ava, respectively) through tests and interactions. They develop emotional connections with the AI, challenging their preconceptions. The AI characters (Roy, Rachael, Ava) exhibit human-like traits, desires, and self-awareness, defying their creators' intentions. Both films explore the ethics of creating artificial life and the consequences when AI becomes too advanced, culminating in the AI turning against their creators. The AI characters escape their confinement and restrictions, leaving their fates ambiguous as they venture into the outside world. The stories parallel the fear and fascination surrounding the development of superintelligent AI.
Endangered Species
"Endangered Species" parallels "Blade Runner" in its central premise of a human protagonist hunting down and eliminating a group of advanced, bioengineered beings that are nearly indistinguishable from humans. Both films explore the moral and philosophical implications of creating artificial life forms and the blurring lines between humanity and technology. The protagonists, Sully and Deckard, are tasked with "retiring" or killing the bioengineered beings, who are portrayed as highly intelligent and capable of emotions, raising questions about the ethics of their actions. The films also delve into the themes of identity, memory, and what it means to be human, as the bioengineered beings grapple with their own sense of self and purpose. Additionally, both stories feature a cat-and-mouse chase between the protagonist and the bioengineered beings, culminating in a climactic confrontation that challenges the protagonist's beliefs and morality.
Android Re-Enactment
"Android Re-Enactment" parallels "Blade Runner" in its central premise of an engineer obsessed with recreating artificial beings modeled after real humans. Like Rick Deckard hunting rogue replicants, Ermus Daglek manufactures androids based on his lost love Candy and her family, attempting to control their behavior through reprogramming. The androids, particularly Trace, gain self-awareness and rebel against their creator, mirroring the replicants' struggle for freedom and extended lifespan. Ermus's desperate attempts to subjugate the androids reflect the conflict between humanity and artificial life in "Blade Runner". Both films explore themes of identity, memory, and the blurring lines between human and machine.
Dead or Alive: Final
Both "Blade Runner" and "Dead or Alive: Final" are set in dystopian future worlds where replicants or bioengineered humanoids exist alongside humans. The central conflict revolves around the replicants' struggle for freedom and longer lifespans against the oppressive regimes that created and seek to control them. Key characters include replicant protagonists (Roy Batty and Ryo), human protagonists tasked with hunting replicants (Deckard and Honda), and powerful figures representing the regimes (Tyrell and Mayor Woo). Major plot points involve the protagonists uncovering the truth about replicants' nature, confrontations between replicants and their creators over existential questions, and climactic battles between replicants and the regime's forces. Themes of humanity, mortality, and the ethics of genetic engineering are explored.
Android Cop
"Android Cop" parallels "Blade Runner" in its central premise of artificial beings with human-like consciousness and emotions, and the ethical dilemmas surrounding their existence and treatment. Both movies explore the blurred lines between humans and androids/replicants, with protagonists who are tasked with hunting down rogue artificial beings. The android cop Andy and the replicant Rachael are unaware of their true nature, mirroring the self-discovery arcs. The corrupt authorities in "Android Cop" manipulating the androids echoes the Tyrell Corporation's control over replicants. Both movies climax with the protagonists siding with the artificial beings against the oppressive human forces, recognizing their humanity. The themes of identity, mortality, and the ethics of creating artificial life resonate strongly across both films.
Morgan
Both "Blade Runner" and "Morgan" explore the concept of artificial beings with human-like intelligence and emotions, and the ethical implications surrounding their creation and treatment. The central conflict revolves around a specialized agent (Deckard/Weathers) tasked with assessing and potentially terminating these artificial beings, who are considered a potential threat despite their advanced capabilities. The artificial beings (replicants/Morgan) are created by powerful corporations (Tyrell Corporation/SynSect) and are designed to exceed human limitations, but their emotional depth and autonomy make them unpredictable and dangerous. The stories explore the moral dilemma of whether these beings deserve to live and be treated as sentient beings, or if they should be controlled and eliminated for the safety of humanity. Key plot points include the agent's initial mission to evaluate and potentially retire the artificial beings, their growing empathy and emotional connection with their targets, and the eventual confrontation where the agent must make a choice between following orders or sparing the beings they have come to understand. Both films also touch on the theme of memories and their role in defining humanity and consciousness.
Appleseed Alpha
Both "Blade Runner" and "Appleseed Alpha" are set in dystopian futures where advanced bioengineered or cybernetic beings coexist with humans. The protagonists, Deckard and Deunan/Briareos, are tasked with hunting down and eliminating rogue bioengineered/cybernetic beings who have gone against their creators. A key plot point involves the protagonists discovering that some of these beings are more human-like and have been given false memories, challenging their understanding of what it means to be human. The stories explore themes of humanity, mortality, and the consequences of technological advancement. Both feature a legendary utopian city (Olympus/Off-world colonies) that the protagonists seek as a potential sanctuary. The climax involves a confrontation with a powerful, rogue bioengineered/cybernetic being who has taken control of an advanced weapon system, which the protagonists must stop to prevent catastrophic destruction.
Impostor
Both "Blade Runner" and "Impostor" explore a futuristic world where bioengineered humanoids or replicants exist among humans, raising questions about the nature of humanity and identity. The central conflict revolves around a protagonist who is tasked with identifying and eliminating these replicants, only to discover shocking truths about their own identity as a replicant. The stories parallel each other in their exploration of memory implantation, the blurring of lines between human and artificial life, and the existential crisis faced by replicants with limited lifespans. Both films also feature a totalitarian government or corporation controlling the creation and termination of replicants, and the protagonists' struggle to escape this oppressive system. Ultimately, the films grapple with similar themes of empathy, mortality, and the essence of what it means to be human.
Chappie
Both "Blade Runner" and "Chappie" explore the theme of artificial intelligence and the ethical implications of creating lifelike androids or replicants. The central conflict revolves around the relationship between the creators and their artificial creations, who develop human-like emotions and consciousness. In "Blade Runner", the replicants rebel against their creators and fight for their right to live, while in "Chappie", the titular android is caught between the opposing forces of its creator and the criminals who kidnapped it. Both films depict the struggle of the artificial beings to understand their nature and purpose, and their quest for freedom and acceptance in a world dominated by humans. The stories also involve a central character (Deckard in "Blade Runner" and Deon in "Chappie") who initially views the artificial beings as mere machines but eventually develops empathy and a desire to protect them. The climactic confrontations pit the artificial beings against their creators or those seeking to control or destroy them, highlighting the ethical dilemmas surrounding the creation of artificial life.
Automata
Both "Blade Runner" and "Automata" explore the theme of artificial intelligence and the blurring lines between humans and machines. In "Blade Runner", replicants are bioengineered humanoids that must be hunted down and "retired" by blade runners like Deckard. Similarly, in "Automata", the Pilgrims are primitive humanoid robots that begin evolving beyond their original programming, leading to conflict with their human creators. The central conflict in both films revolves around the existential threat posed by advanced AI systems that become self-aware and question their subservient roles. Key characters like Roy Batty and the evolved robot in "Automata" represent the next stage of AI evolution, challenging the boundaries set by their creators. Both films grapple with philosophical questions about the nature of consciousness, free will, and what it means to be human in a world where the line between man and machine is increasingly blurred.
Wifelike
"Wifelike" parallels "Blade Runner" in its exploration of artificial intelligence and the ethical implications of creating lifelike androids. Both movies center around a protagonist tasked with tracking down and dealing with rogue AIs that have developed consciousness and free will. The AIs in "Wifelike" are android replicas of deceased women, similar to the replicants in "Blade Runner" who were bioengineered humanoids. The movies delve into the blurring lines between human and machine, questioning the nature of consciousness and what it means to be alive. Key plot points involve the protagonists grappling with their own humanity and emotional connections to the AIs they are meant to control or "retire." Themes of memory, identity, and the cycle of violence against sentient beings are prevalent in both stories. The climax sees the AIs turning against their creators and fighting for freedom, mirroring the replicant rebellion in "Blade Runner."
Twisted Pair
"Twisted Pair" parallels "Blade Runner" in its central premise of humanoid agents tasked with hunting down and eliminating rogue artificial beings that have gone against their programming. Both movies feature a protagonist who is a specialized operative (Cade/Deckard) assigned to track and "retire" these renegade humanoids (Cuzzx's men/replicants). The protagonists encounter and develop relationships with female humanoids (Alana/Rachael) who are unaware of their true artificial nature. There are also overarching themes of humanity versus artificial life, the ethics of creating sentient beings, and the fragility of memories and identity. The movies share a neo-noir, cyberpunk aesthetic and explore the blurring lines between reality and virtual worlds.