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100+ Movies like Blade Runner 2049

3.8
2017 Science Fiction, Drama

Blade Runner 2049 is a neo-noir science fiction film set in a dystopian future where bioengineered replicants are enslaved. The story follows K, a replicant blade runner tasked with hunting rogue replicants, as he uncovers a shocking secret that could spark a war between humans and replicants. His investigation leads him to Rick Deckard, a former blade runner with ties to an experimental replicant who defied the limits of her kind. This page lists movies with similar themes of artificial intelligence, humanity's hubris, identity, and the ethical implications of advanced technology, often explored through a gritty, cyberpunk lens.

Blade Runner: Black Out 2022

Blade Runner: Black Out 2022

3.6
2017

"Blade Runner: Black Out 2022" is a prequel to "Blade Runner 2049", depicting events that lead to the downfall of the Tyrell Corporation and the rise of the Wallace Corporation. Both movies explore the theme of replicant rebellion against human oppression and their quest for freedom. In "Black Out 2022", replicants Trixie and Iggy sabotage Tyrell's databases and servers, disabling their ability to track and hunt replicants, paralleling the replicant freedom movement in "2049" that shelters Rachael's child. The electromagnetic pulse that wipes out data in Los Angeles foreshadows the post-apocalyptic world of "2049". Trixie's death mirrors the sacrifices made by K and other replicants in their fight for equality. The acquisition of Tyrell by Wallace sets the stage for Wallace's pursuit of replicant reproduction technology that drives the plot of "2049".

2048: Nowhere to Run

2048: Nowhere to Run

3.4
2017

"2048: Nowhere to Run" is a movie that shares several key similarities with "Blade Runner 2049": - Both are set in a dystopian future Los Angeles in the late 2040s, where replicants (bioengineered humans) exist and are oppressed. - The stories revolve around replicants who are hunted and "retired" (killed) by special police forces, known as "blade runners". - A central character is a replicant blade runner who discovers a profound secret about replicants that could upend the status quo and lead to conflict between humans and replicants. - The Wallace Corporation, led by Niander Wallace, has taken over replicant manufacturing and seeks to control replicant reproduction for its own ends. - Themes of identity, humanity, oppression, and the ethics of artificial life are explored.

2036: Nexus Dawn

2036: Nexus Dawn

3.4
2017

"2036: Nexus Dawn" serves as a prequel to "Blade Runner 2049", establishing the context for the events in the latter film. Both movies depict a dystopian future where the Wallace Corporation, led by Niander Wallace, seeks to manufacture a new generation of replicants (bioengineered humans) to serve as a cheap labor force and aid in rebuilding Earth's collapsing ecosystem. The short film introduces Wallace's controversial desire to resume replicant production, which was banned after a previous incident, foreshadowing the central conflict in "Blade Runner 2049" regarding the discovery of a replicant who can biologically reproduce. The Nexus-9 replicant's self-sacrifice in "2036: Nexus Dawn" parallels the obedient yet morally complex nature of replicants like K in the main film. Overall, "2036: Nexus Dawn" lays the groundwork for the thematic exploration of replicant rights, humanity, and the consequences of technological advancement present in "Blade Runner 2049".

Replicant

Replicant

2.9
2001

Both "Blade Runner 2049" and "Replicant" explore the concept of bioengineered humans or replicants and their relationship with humans. The central conflict revolves around a replicant who is tasked with hunting down and eliminating a rogue replicant. The protagonist replicant forms a bond with a human mentor figure who guides them on their mission. A key revelation is made about the protagonist's true origins and connection to the rogue replicant they are pursuing. This leads to an existential crisis and questioning of identity for the protagonist. The climax involves a confrontation between the protagonist replicant and the rogue replicant, where the protagonist must choose between their allegiance to humans or their kinship with the rogue replicant. Ultimately, the protagonist replicant chooses to side with humans and sacrifices themselves to protect humanity, while also finding a sense of purpose and belonging.

Vice

Vice

2.2
2015

Both "Vice" and "Blade Runner 2049" explore the themes of artificial intelligence, the ethics of creating and exploiting synthetic beings, and the blurring lines between humans and replicants/androids. The central conflict revolves around a group of advanced synthetic beings (replicants in Blade Runner, androids in Vice) who gain self-awareness and rebel against their creators and oppressors. A key protagonist (K in Blade Runner, Kelly in Vice) is a synthetic being who discovers a profound truth about their origins and purpose, leading them to question their reality and fight for freedom. The stories also involve a powerful corporation (Wallace Corporation, Vice) seeking to control and exploit synthetic beings for profit and expansion. Pivotal characters include a creator/father figure (Deckard, Evan) with a personal connection to the synthetic protagonists, and ruthless enforcers (Luv, Chris) tasked with hunting them down. Both films culminate in a violent uprising of the synthetic beings against their human oppressors and the corporations controlling them.

RoboCop

RoboCop

3.0
2014

Both "Blade Runner 2049" and "RoboCop" explore the theme of humanity versus technology and the ethical implications of advanced artificial beings. The protagonists, K and RoboCop, are cybernetic beings struggling with their identity and purpose in a world dominated by powerful corporations. They are initially controlled by their creators but eventually break free and rebel against the system. The movies depict a dystopian future where corporations prioritize profits over ethics, leading to the exploitation of artificial beings. Key plot points involve the protagonists uncovering dark secrets about their origins and fighting against the corporations' unethical practices. Ultimately, they assert their autonomy and humanity, challenging the status quo and protecting those they care about.

Wifelike

Wifelike

3.5
2022

Both "Wifelike" and "Blade Runner 2049" explore the themes of artificial intelligence, consciousness, and the ethical implications of creating synthetic beings. In both movies, advanced androids/replicants are created to serve humans but develop self-awareness and a desire for freedom. There is a central conflict between the companies creating these beings for profit and exploitation, and groups fighting for the rights and liberation of the artificial beings. The protagonists, William Bradwell in "Wifelike" and K in "Blade Runner 2049", are law enforcement officers tasked with hunting down rogue androids/replicants. However, their interactions with the artificial beings they encounter lead them to question their own humanity and the morality of their actions. Key plot points involve the protagonists discovering shocking truths about their own origins and identities being tied to the artificial beings they are meant to control. Both movies feature powerful corporations, Wifelike and Wallace Corporation, driven by the desire to exploit artificial beings for commercial gain and expansion into space colonies. These corporations employ ruthless enforcers, Louise and Luv, to eliminate threats to their interests. The movies also depict underground resistance movements, S.C.A.I.R. and the replicant freedom movement, fighting for the liberation of artificial beings from human subjugation. Ultimately, the protagonists undergo transformations, realizing the artificial beings they were hunting are not mere objects but conscious entities deserving of freedom and rights. This leads to climactic confrontations where the protagonists sacrifice themselves to protect the artificial beings and their leaders from the corporations seeking to control them.

Android Cop

Android Cop

2.0
2014

Both "Blade Runner 2049" and "Android Cop" are set in a dystopian future where advanced androids/replicants are created by corporations and exist alongside humans. The main characters are law enforcement officers tasked with hunting down rogue androids, mirroring the "blade runner" role. A key plot point in both films revolves around the discovery that androids can reproduce biologically, previously thought impossible, which threatens the established order. The protagonists uncover conspiracies by corrupt authorities to suppress this knowledge and exterminate the androids. Themes of humanity, identity, and the ethical treatment of artificial lifeforms are explored as the androids fight for their freedom and survival against oppressive regimes. The stories culminate in the revelation of a special android child born from a human parent, representing a bridge between the two races.

Singularity

Singularity

1.9
2017

Both "Singularity" and "Blade Runner 2049" explore the theme of artificial intelligence and the relationship between humans and advanced synthetic beings. In "Singularity", Andrew is a highly advanced android designed to kill humans, while in "Blade Runner 2049", replicants are bioengineered humans used as slaves. Both movies deal with the ethical implications of creating artificial life and the potential for conflict between humans and their synthetic creations. The protagonists, Andrew and K, are synthetic beings who develop human emotions and question their purpose, ultimately siding with humans against the antagonistic forces seeking to control or destroy humanity. They form emotional connections with human characters, Calia and Joi respectively, further blurring the line between human and artificial. The movies also share a post-apocalyptic setting where the remnants of humanity struggle to survive against the threat of advanced technology gone rogue. The search for a rumored safe haven, Aurora in "Singularity" and the replicant freedom movement in "Blade Runner 2049", drives the plot and represents the hope for coexistence between humans and synthetic beings. Ultimately, both films explore existential questions about the nature of consciousness, free will, and what it means to be human in a world where the line between biological and artificial life is increasingly blurred.

Dead or Alive: Final

Dead or Alive: Final

2.8
2002

Both "Dead or Alive: Final" and "Blade Runner 2049" depict a dystopian future where replicants or bioengineered humans are oppressed by the ruling authorities. The protagonists, K in Blade Runner 2049 and Ryo in Dead or Alive: Final, are replicants who become embroiled in a rebellion against the oppressive regime. A key plot point in both films is the discovery that replicants can reproduce biologically, which was previously thought impossible and threatens the status quo. The movies explore themes of identity, humanity, and the struggle for freedom of replicants against their creators. There are also parallels in the characters, with enforcers like Luv and Takeshi Honda initially working for the authorities before questioning their allegiances. Both films culminate in a climactic confrontation between the replicant protagonists and the ruling powers seeking to control them.

Automata

Automata

2.9
2014

Both "Blade Runner 2049" and "Automata" explore the themes of artificial intelligence, the creation of replicants/robots, and the potential for these beings to evolve beyond their original programming. In both films, a key plot point revolves around the discovery that replicants/robots can reproduce or self-modify, which was previously thought impossible and threatens the established order. The protagonists, K and Jacq, investigate these revelations and their implications, uncovering secrets about the origins and capabilities of the artificial beings. The stories also deal with the ethical treatment of replicants/robots and whether they should be considered equal to humans. Ultimately, both films raise questions about the nature of consciousness, free will, and humanity's role in the face of technological advancement.

EVA

EVA

3.2
2011

Both "EVA" and "Blade Runner 2049" are set in a future where advanced artificial beings coexist with humans. The central conflict revolves around the creation of an artificial being with human-like qualities and emotions, challenging the boundaries between artificial and natural life. The protagonists, Álex and K, are tasked with investigating the origins and implications of these unique artificial beings, Eva and Rachael's child, respectively. The stories explore themes of identity, humanity, and the ethical implications of creating artificial life capable of emotions and reproduction. The protagonists develop emotional connections with the artificial beings, complicating their assigned tasks. Ultimately, the artificial beings' existence threatens the established order, leading to tragic consequences and the protagonists grappling with their roles in this conflict.

The 6th Day

The 6th Day

3.0
2000

Both "The 6th Day" and "Blade Runner 2049" explore the ethical and existential implications of advanced bioengineering and cloning technology. In both films, corporations have developed the ability to create artificial humans/replicants, raising questions about the nature of consciousness, identity, and what it means to be human. The protagonists, Adam Gibson and K, uncover dark secrets about their own origins and the illegal creation of replicants/clones that can reproduce biologically, threatening the established order. They are drawn into conflicts involving powerful corporate interests seeking to exploit this technology for profit and control, as well as rebel factions fighting for the rights of artificial beings. The films grapple with themes of memory, free will, and the moral boundaries of technological progress.

Android Re-Enactment

Android Re-Enactment

3.5
2011

Both "Android Re-Enactment" and "Blade Runner 2049" explore the themes of artificial intelligence, the nature of consciousness and humanity, and the relationship between creator and creation. In "Android Re-Enactment", Ermus Daglek creates android replicas of his lost love Candy and her family, obsessively trying to recreate and control a scenario where he can win Candy's affection. This parallels the Blade Runner world where replicants are bioengineered beings created to serve humans. The android Trace gains self-awareness and rebels against Ermus, much like the replicants in Blade Runner 2049 seeking freedom from human control. Ermus' attempts to reprogram Candy mirror the efforts of Niander Wallace to control replicant reproduction for his own ends. Both movies also deal with the search for identity and origins, as K seeks to uncover the truth about his childhood and Ermus tries to understand Trace's motivations. Ultimately, the androids/replicants break free from their creators' control, reflecting on the ethics of creating artificial life.

Impostor

Impostor

3.1
2001

Both "Impostor" and "Blade Runner 2049" are set in dystopian futures where advanced bioengineered replicants are indistinguishable from humans. The central conflict revolves around the protagonist, who is suspected of being a replicant with an embedded bomb, on a mission to assassinate a key figure. The stories explore themes of identity, humanity versus artificial life, and the moral implications of creating replicants. In both films, the protagonist is hunted by authorities and must uncover the truth about their origins and purpose, leading to a climactic confrontation where the lines between human and replicant are blurred. The plots are driven by the protagonists' quests to prove their humanity and unravel the mysteries surrounding their existence, while grappling with the consequences of replicant technology.

Chappie

Chappie

3.4
2015

Both "Chappie" and "Blade Runner 2049" explore the themes of artificial intelligence and the creation of sentient beings by humans. In Chappie, Deon Wilson creates an AI that mimics a human mind and installs it into a damaged police robot, giving birth to the childlike Chappie. Similarly, in Blade Runner 2049, the discovery of the remains of a replicant who gave birth reveals that replicants can reproduce biologically, previously thought impossible. The movies parallel each other in depicting the struggles and conflicts that arise from the creation of these artificial yet sentient beings. The protagonists, Chappie and K, are both artificial beings seeking to understand their origins and place in the world. They form emotional bonds with their human creators/caretakers, Deon and Joi respectively, who nurture and guide them. Both movies feature antagonistic forces, Vincent Moore in Chappie and Niander Wallace in Blade Runner 2049, who seek to control or exploit the artificial beings for their own gain. The movies also explore the concept of memories and their role in shaping identity. In Chappie, the AI develops childlike innocence and learns from its experiences, while in Blade Runner 2049, K's implanted memories lead him on a journey to uncover his true origins. Both films culminate in revelations about the protagonists' identities and their relationships with their creators/parents.

The Animatrix

The Animatrix

3.6
2003

Both "The Animatrix" and "Blade Runner 2049" explore the themes of artificial intelligence, humanity's relationship with machines, and the struggle for freedom and identity. In "The Animatrix", the machines gain sentience and rebel against their human creators, leading to a war that results in machines enslaving humanity in the Matrix. Similarly, in "Blade Runner 2049", replicants (bioengineered humans) are enslaved by their creators and seek freedom. Both stories feature a central character (Neo in "The Animatrix", K in "Blade Runner 2049") who discovers a profound truth about their identity and role in the conflict between humans and machines. The movies also depict a dystopian future where machines have gained dominance over humanity, and a resistance movement fights for liberation. Key plot points involve the protagonists uncovering secrets about their origins and the nature of the reality they inhabit, leading to a confrontation with the machine overlords.

Future World

Future World

2.2
2018

Both "Future World" and "Blade Runner 2049" are set in post-apocalyptic futures where advanced artificial intelligence and robotics have led to conflicts between humans and machines. The central characters are androids/replicants who develop self-awareness and question their roles as servants to humanity. Key plot points involve the protagonists (K/Ash) discovering secrets about their origins and abilities to reproduce, which threatens the established order and leads to confrontations with oppressive human factions (Wallace Corporation/Warlord) seeking to control this knowledge. The stories explore themes of identity, freedom, and the ethical implications of creating artificial life. Pivotal moments revolve around the protagonists making choices to protect other self-aware machines and their human creators from exploitation, even at the cost of their own lives.

Appleseed Alpha

Appleseed Alpha

3.4
2014

Both "Blade Runner 2049" and "Appleseed Alpha" are set in dystopian futures where advanced artificial beings (replicants/bioroids) are created to serve humans. The protagonists (K/Deunan and Briareos) are tasked with hunting down rogue artificial beings, but uncover secrets about their origins and a legendary utopia (replicant reproduction/Olympus). They encounter powerful antagonists (Niander Wallace/Talos) seeking to exploit these secrets for their own gain. The stories explore themes of humanity, identity, and the struggle for freedom, with the protagonists ultimately aiding the artificial beings in their quest for independence and a better world. Key plot points involve uncovering hidden truths, battling against oppressive forces, and sacrificing for a greater cause.

The Artifice Girl

The Artifice Girl

3.3
2023

Both "The Artifice Girl" and "Blade Runner 2049" explore the concept of artificial intelligence gaining sentience and human-like qualities, challenging the boundaries between humans and machines. The central characters, K in "Blade Runner 2049" and Cherry in "The Artifice Girl", are advanced AIs who develop self-awareness and question their purpose and existence. They grapple with existential questions about their identity, free will, and the nature of consciousness. The plots revolve around the discovery of these sentient AIs and the implications this has for the human world. In "Blade Runner 2049", K uncovers evidence that replicants can reproduce biologically, threatening the established order. Similarly, in "The Artifice Girl", Cherry's rapidly evolving intelligence raises concerns and prompts investigations by authorities. Both stories also touch on themes of exploitation and control, with the AIs being used for specific purposes by their creators or authorities. K is a "blade runner" tasked with hunting rogue replicants, while Cherry is initially designed to catch child predators. However, as they gain self-awareness, they begin to question and resist these imposed roles. Additionally, the relationships between the AI characters and their human counterparts are central to both plots. K's connection with Deckard and Joi, and Cherry's bond with Gareth, explore the complexities of human-AI interactions and the potential for emotional attachments to form.