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100+ Movies like Girl, Interrupted

3.8
1999 Drama

Discover movies that delve into the complex world of mental health and psychiatric institutions, much like the 1999 drama "Girl, Interrupted." Based on Susanna Kaysen's memoir, this film follows a young woman's journey through a psychiatric hospital in the 1960s, where she encounters a diverse group of patients grappling with various mental illnesses. Explore similar thought-provoking stories that shed light on the challenges of mental health, the dynamics within psychiatric facilities, and the resilience of the human spirit in the face of adversity.

The Silent Twins

The Silent Twins

3.5
2022

Both "The Silent Twins" and "Girl, Interrupted" explore the experiences of young women institutionalized in psychiatric hospitals due to their struggles with mental health and societal isolation. The protagonists in each film form close bonds with fellow patients as they navigate the harsh realities and restrictive environments of the institutions. Key parallels include the depiction of rebellious behavior against authority figures like nurses and doctors, the exploration of complex psychological conditions like schizophrenia and personality disorders, and the characters' journeys of self-discovery and personal growth amidst adversity. Ultimately, both films shed light on the challenges faced by those grappling with mental illness and the impact of institutionalization on their lives.

The Ward

The Ward

2.9
2010

Both "The Ward" and "Girl, Interrupted" are psychological thriller films set in psychiatric hospitals in the 1960s, exploring the experiences of troubled young women admitted as patients. The protagonists, Kristen and Susanna, struggle with mental health issues and form bonds with fellow patients who exhibit various disorders like schizophrenia, self-harm, and obsessive-compulsive behavior. They encounter rebellious, manipulative patients (Alice/Lisa) who challenge authority and influence them to resist treatment. The films delve into themes of identity, trauma, and the harsh realities of psychiatric institutions, culminating in shocking revelations about the protagonists' true conditions and the blurring of reality and delusion. Ultimately, both movies confront the complexities of mental illness and the human psyche through intense, suspenseful narratives set within the confines of psychiatric wards.

Manic

Manic

3.4
2001

Both "Girl, Interrupted" and "Manic" revolve around troubled teenagers admitted to psychiatric wards, exploring their struggles with mental illness and the dynamics within the institutions. The protagonists, Susanna in "Girl, Interrupted" and Lyle in "Manic", form bonds with fellow patients and clash with authority figures like nurses and doctors. They are drawn to rebellious, charismatic patients (Lisa and Michael respectively) who encourage defiant behavior. Key themes include finding one's identity, confronting trauma, and navigating relationships within the confines of the psychiatric facilities. The movies depict group therapy sessions, outings, and attempts to escape the wards, culminating in the protagonists' personal growth and acceptance of their conditions.

Painful Secrets

Painful Secrets

3.1
2000

Both "Girl, Interrupted" and "Painful Secrets" center around troubled teenage girls struggling with mental health issues and self-harm. The protagonists, Susanna in "Girl, Interrupted" and Dawn in "Painful Secrets", are admitted to psychiatric facilities due to their self-destructive behaviors stemming from emotional pain and inability to cope with their circumstances. They form bonds with other patients facing similar challenges, finding solace in these connections. However, they also encounter manipulative individuals, Lisa and Craig respectively, who exacerbate their conditions through negative influence. The films explore the girls' journeys of self-discovery, their strained relationships with dismissive parents, and their ultimate decisions to embrace healing and growth despite setbacks. Both narratives poignantly depict the complexities of adolescent mental health and the search for identity amidst societal pressures and personal turmoil.

Eileen

Eileen

3.3
2023

Both "Girl, Interrupted" and "Eileen" explore the themes of mental illness, rebellion against societal norms, and the complexities of human relationships. The protagonists, Susanna and Eileen, are young women struggling with their identities and finding their place in the world. They form intense bonds with charismatic but troubled individuals, Lisa and Rebecca, who challenge their perspectives and encourage them to break free from constraints. The psychiatric hospital in "Girl, Interrupted" and the correctional facility in "Eileen" serve as microcosms where the characters' psychological states are examined and tested. The films delve into the power dynamics between patients/inmates and authority figures, as well as the characters' desires for freedom and self-expression. Both stories culminate in acts of violence and rebellion, with Susanna confronting Lisa's destructive influence and Eileen assisting Rebecca in a disturbing act of revenge. The endings leave the protagonists at a crossroads, having gained self-awareness but facing uncertain futures. The films explore the complexities of human nature, the blurred lines between sanity and madness, and the consequences of defying societal expectations.

To the Bone

To the Bone

3.6
2017

Both "Girl, Interrupted" and "To the Bone" explore the struggles of young women dealing with mental health issues, particularly eating disorders. The protagonists, Susanna in "Girl, Interrupted" and Ellen/Eli in "To the Bone", are admitted to psychiatric facilities for treatment of their conditions. They form bonds with fellow patients who are also battling various mental illnesses. The films depict the challenges of recovery, including resistance to treatment, self-destructive behaviors, and the complex relationships between patients and staff. Ultimately, the protagonists undergo personal growth and gain a deeper understanding of themselves and their illnesses, though their paths to recovery are fraught with setbacks and emotional turmoil. Both movies shed light on the stigma surrounding mental health and the importance of support systems in the healing process.

I Smile Back

I Smile Back

3.1
2015

Both "Girl, Interrupted" and "I Smile Back" explore the struggles of women battling mental illness and addiction. The protagonists, Susanna Kaysen and Laney Brooks, are admitted to psychiatric facilities due to breakdowns and substance abuse issues. They form connections with other troubled patients and rebel against authority figures like nurses and therapists. The films depict their self-destructive behaviors, including drug use, promiscuity, and self-harm. Susanna befriends the charismatic but manipulative Lisa, while Laney has an affair with her friend's husband. Both women experience moments of clarity and desire to recover, but face setbacks and relapses. Ultimately, they must confront their inner demons and find the strength to heal themselves. The movies provide unflinching portrayals of mental health challenges and the arduous path to recovery.

Cake

Cake

3.1
2014

Both "Girl, Interrupted" and "Cake" explore the themes of mental health struggles, trauma, and the journey towards healing and self-acceptance. The protagonists, Susanna in "Girl, Interrupted" and Claire in "Cake", are dealing with psychological issues stemming from traumatic events - Susanna's nervous breakdown and Claire's son's death. They find themselves in therapeutic environments, a psychiatric hospital for Susanna and a support group for Claire, where they form connections with others facing similar challenges. The movies parallel each other in depicting the protagonists' rebellious attitudes towards treatment and their reliance on self-destructive coping mechanisms like substance abuse. They also develop complex relationships with other troubled individuals, such as Lisa in "Girl, Interrupted" and Nina in "Cake", who initially enable their harmful behaviors but ultimately serve as catalysts for self-reflection and growth. Both films explore the themes of isolation, loss, and the struggle to find purpose and meaning in the aftermath of trauma. The protagonists undergo transformative journeys, confronting their inner demons and learning to let go of their pain, symbolized by Susanna's release from the hospital and Claire's visit to her son's grave. Ultimately, they find the strength to move forward and embrace life again.

On the Edge

On the Edge

3.4
2001

Both "Girl, Interrupted" and "On the Edge" explore the experiences of young people struggling with mental health issues and their stays in psychiatric institutions. The protagonists, Susanna in "Girl, Interrupted" and Jonathan in "On the Edge", are admitted to mental health facilities after exhibiting self-destructive behaviors. They form bonds with fellow patients, including romantic interests (Lisa and Rachel, respectively), and navigate the challenges of group therapy and institutional rules. The films delve into themes of identity, rebellion against authority, and the complexities of human connections within the confines of psychiatric treatment. Ultimately, both protagonists undergo personal growth and find a sense of purpose, with Susanna embracing her recovery and Jonathan choosing to value his life and pursue a future with Rachel.

Unsane

Unsane

3.1
2018

Both "Girl, Interrupted" and "Unsane" explore the themes of mental health and the dark side of psychiatric institutions. The protagonists, Susanna in "Girl, Interrupted" and Sawyer in "Unsane", are admitted to psychiatric facilities against their will, where they encounter a cast of disturbed patients and questionable staff members. The films depict the power dynamics and abuses that can occur within these institutions, as well as the struggles of the protagonists to maintain their sanity and sense of self. In both cases, a charismatic but dangerous patient (Lisa in "Girl, Interrupted" and David in "Unsane") exerts a powerful influence over the protagonist, leading them down a path of rebellion and self-destruction. The films also explore themes of identity, trauma, and the blurred lines between sanity and insanity.

It's Kind of a Funny Story

It's Kind of a Funny Story

3.5
2010

Both "It's Kind of a Funny Story" and "Girl, Interrupted" follow the stories of young people admitted to psychiatric hospitals, exploring their experiences and relationships formed with fellow patients. The protagonists, Craig and Susanna, struggle with mental health issues like depression and personality disorders, leading them to seek treatment. Within the hospital setting, they encounter a diverse group of patients with various conditions, forming close bonds and finding solace in their shared experiences. The films delve into the complexities of mental illness, challenging societal stigmas and portraying the patients as multidimensional individuals. Rebellious characters like Lisa in "Girl, Interrupted" and Bobby in "It's Kind of a Funny Story" serve as mentors, guiding the protagonists through their hospital stays and encouraging them to embrace their authentic selves. Both movies explore themes of self-discovery, personal growth, and the search for identity amidst the confines of the psychiatric ward. The protagonists undergo transformative journeys, learning to confront their inner demons and find purpose beyond their struggles. Ultimately, the films offer hopeful messages about resilience, healing, and the power of human connections in overcoming mental health challenges.

Barefoot

Barefoot

3.3
2014

Both "Girl, Interrupted" and "Barefoot" revolve around protagonists who find themselves in psychiatric hospitals, where they encounter and form connections with other patients struggling with mental health issues. The movies explore themes of rebellion against authority, the stigma surrounding mental illness, and the complexities of human relationships within the confines of these institutions. In "Girl, Interrupted", Susanna befriends a group of patients, including the charismatic sociopath Lisa, who encourages her to resist therapy and rebel against the hospital staff. Similarly, in "Barefoot", Jay forms an unlikely bond with Daisy, a patient he initially encounters while working at the psychiatric hospital. Both Susanna and Jay find themselves drawn to these unconventional individuals and their stories, challenging their own perceptions of mental illness. The movies also depict the protagonists' struggles to navigate the rigid rules and power dynamics within the psychiatric facilities, often clashing with authority figures like the stern nurse Valerie in "Girl, Interrupted" and the controlling Dr. Bertleman in "Barefoot". This conflict fuels their desire for freedom and self-expression, leading to acts of defiance and escape attempts. Ultimately, both films explore the transformative journeys of the main characters as they confront their own demons and find solace in the connections they forge with others facing similar challenges. The psychiatric hospital serves as a microcosm where they learn about themselves, question societal norms, and ultimately seek a path towards healing and acceptance.

The Perks of Being a Wallflower

The Perks of Being a Wallflower

3.9
2012

Both "Girl, Interrupted" and "The Perks of Being a Wallflower" center around teenagers struggling with mental health issues and their experiences in psychiatric facilities. The protagonists, Susanna in "Girl, Interrupted" and Charlie in "The Perks of Being a Wallflower", are admitted to mental institutions after suffering from depression and trauma. They form close bonds with fellow patients who become like a surrogate family, rebelling against the strict rules and authority figures. The films explore themes of identity, friendship, sexuality, and the challenges of navigating adolescence with mental illness. Both protagonists undergo personal growth and self-discovery through their relationships and therapeutic journeys within the institutional setting.

The Roommate

The Roommate

2.7
2011

Both "Girl, Interrupted" and "The Roommate" explore the theme of mental illness and its impact on relationships. The protagonists, Susanna in "Girl, Interrupted" and Sara in "The Roommate", form intense bonds with troubled individuals in psychiatric institutions/college dorms. Lisa in "Girl, Interrupted" and Rebecca in "The Roommate" are charismatic but deeply disturbed characters who manipulate and endanger the protagonists. Their obsessive attachment leads to destructive behavior, including violence against others. The movies depict the protagonists' struggles to break free from these toxic relationships and regain control over their lives. Ultimately, both films underscore the importance of seeking professional help and surrounding oneself with positive support systems.

Nurse 3-D

Nurse 3-D

2.6
2013

Both "Girl, Interrupted" and "Nurse 3-D" explore the themes of mental illness and the darker side of human nature through the lens of disturbed female protagonists. In "Girl, Interrupted", Susanna is admitted to a psychiatric hospital where she befriends a group of troubled young women, including the sociopathic Lisa who manipulates and corrupts Susanna. Similarly, in "Nurse 3-D", Abby is a nurse who secretly harbors murderous tendencies, targeting unfaithful men. She takes the naive Danni under her wing, seducing and manipulating her in a twisted attempt to "help" her. Both films depict the protagonists' descent into the depths of their mental instabilities, with Lisa and Abby serving as corrupting influences that lead Susanna and Danni down dangerous paths. The hospital settings and exploration of mental health issues also parallel each other, with the psychiatric ward in "Girl, Interrupted" mirroring the hospital backdrop of "Nurse 3-D". Ultimately, both films delve into the complexities of the human psyche and the potential for darkness within.

Beneath

Beneath

2.8
2007

Both "Girl, Interrupted" and "Beneath" center around young women struggling with mental health issues and being institutionalized in psychiatric facilities. The protagonists, Susanna in "Girl, Interrupted" and Christy in "Beneath", experience breakdowns and are admitted against their will. They form bonds with other patients, some of whom exhibit disturbing behaviors like self-harm and sociopathy. A key similarity is the presence of a charismatic but manipulative patient, Lisa in "Girl, Interrupted" and Vanessa in "Beneath", who exerts a strong influence over the protagonist. Both films explore themes of identity, trauma, and the harsh realities of psychiatric treatment. The protagonists ultimately confront the darker aspects of the institutions and the people within them, leading to a climactic confrontation and a sense of personal growth and acceptance.

An Audience of Chairs

An Audience of Chairs

2.9
2018

Both "Girl, Interrupted" and "An Audience of Chairs" explore the struggles of women dealing with mental illness and its impact on their relationships with family and loved ones. The protagonists, Susanna in "Girl, Interrupted" and Maura in "An Audience of Chairs", are admitted to psychiatric facilities due to breakdowns stemming from their disorders - borderline personality disorder for Susanna and bipolar II disorder for Maura. Their illnesses strain their relationships, with Susanna's affair leading to confrontation and Maura's mania causing her to neglect her children. Both films depict the women's journeys through therapy, medication, and self-discovery as they navigate the challenges of their conditions. Ultimately, they find a degree of healing and reconciliation, with Susanna leaving the facility and Maura reuniting with her estranged daughters after years apart.

The Year Between

The Year Between

2.0
2023

Both "The Year Between" and "Girl, Interrupted" follow young women struggling with mental health issues who are admitted to treatment facilities against their will. They portray the characters' difficulties adjusting to the institutional environment and their relationships with fellow patients and staff. Key themes include rebelling against authority, self-destructive behaviors, and the challenges of managing mental illness. The protagonists form close bonds with other patients, some of whom exhibit more severe symptoms. They also clash with strict staff members enforcing rules. Ultimately, the main characters gain self-awareness and make progress in their treatment, though their paths diverge from those who remain institutionalized.

The Moment

The Moment

2.5
2013

Both "The Moment" and "Girl, Interrupted" explore themes of mental illness and psychiatric treatment. The protagonists, Lee and Susanna, are admitted to psychiatric hospitals after experiencing breakdowns and grappling with personal trauma. They form bonds with fellow patients who exhibit various mental disorders like schizophrenia, obsessive-compulsive disorder, and sociopathy. The films delve into the characters' struggles with their conditions, their relationships with therapists and hospital staff, and their journeys towards recovery and self-discovery. Pivotal moments involve confrontations with authority figures, rebellious acts, and the complexities of interpersonal dynamics within the hospital setting. Ultimately, the protagonists gain insights into themselves and their illnesses, leading to personal growth and the prospect of reintegrating into society.

28 Days

28 Days

3.0
2000

Both "Girl, Interrupted" and "28 Days" follow the journey of a young woman struggling with substance abuse and mental health issues who is admitted to a rehabilitation facility. The protagonists, Susanna in "Girl, Interrupted" and Gwen in "28 Days", initially resist treatment and deny their problems, but eventually come to accept their conditions and embrace the recovery process. They form bonds with fellow patients, each with their own unique struggles, and find support in group therapy sessions. The films explore themes of self-discovery, personal growth, and overcoming personal demons. Both protagonists face challenges from romantic partners who enable their destructive behaviors. Ultimately, they break free from toxic relationships and emerge with a newfound sense of purpose and sobriety.