100+ Movies like Barbarian
Spiderhole
Both "Barbarian" and "Spiderhole" involve a group of people who unwittingly stumble upon a hidden, underground lair where a deranged individual has been keeping victims captive and subjecting them to horrific acts. The plots follow a similar structure of the protagonists discovering disturbing clues that lead them to uncover the full extent of the depraved situation. The antagonists in both films are deformed, monstrous figures who were born from years of incestuous abuse and torture, driven by twisted desires to continue the cycle of violence. The movies build tension through the protagonists' desperate attempts to escape the confined spaces and the antagonists' relentless pursuit, culminating in brutal confrontations where only a few survivors remain.
Lost River
Both "Barbarian" and "Lost River" are dark, gritty films set in decaying urban environments, exploring themes of poverty, violence, and the disturbing underbelly of society. The plots revolve around uncovering hidden, sinister secrets lurking beneath the surface of seemingly ordinary places - a rental house in Detroit for "Barbarian" and an abandoned neighborhood in "Lost River". The protagonists stumble upon underground tunnels and spaces where depraved acts have occurred, perpetrated by monstrous figures like the incestuous "Mother" in "Barbarian" and the sadistic Bully in "Lost River". The films depict the struggles of characters trying to survive in these bleak, dangerous environments while confronting the horrors that have been concealed within them. Both movies employ an unsettling, nightmarish atmosphere and explore the depths of human depravity and the consequences of societal neglect.
See No Evil
Both "Barbarian" and "See No Evil" are horror films that revolve around a deranged killer who resides in an abandoned or rundown location. The killers are revealed to have a disturbing backstory involving incest and the mistreatment of women. The plots follow a group of unsuspecting victims who stumble upon the killer's lair, leading to a violent confrontation and a struggle for survival. The killers are portrayed as monstrous, deformed figures who brutally murder their victims in gruesome ways, often involving mutilation of the eyes or face. The films build tension and suspense as the victims attempt to escape the killer's clutches and uncover the truth behind the horrific events. Ultimately, a lone survivor emerges after a climactic showdown with the killer, leaving them traumatized but alive.
Gerald's Game
Both "Barbarian" and "Gerald's Game" involve women trapped in isolated locations by disturbing, deranged figures. In "Barbarian", Tess is trapped in a house by the monstrous "Mother", a product of multi-generational incest and abuse. Similarly, in "Gerald's Game", Jessie is handcuffed to a bed by her husband and tormented by hallucinations and a deformed serial killer. The movies explore themes of sexual abuse, trauma, and the psychological impact of being trapped. They also feature flashbacks revealing the origins of the disturbing antagonists - the Mother's incestuous lineage in "Barbarian", and the childhood sexual abuse Jessie suffered in "Gerald's Game". Both films build tension as the protagonists struggle to escape their dire situations while confronting their inner demons. Ultimately, Tess and Jessie overcome their tormentors through resilience and self-empowerment.
Mother's Day
Both "Barbarian" and "Mother's Day" revolve around a deranged, monstrous maternal figure who has been driven to commit horrific acts of violence and abduction due to trauma and a twisted desire for a family. The central conflict arises when unsuspecting victims stumble upon the lair of this disturbed matriarch, leading to a nightmarish ordeal of captivity, torture, and a desperate struggle for survival against an implacable, inhuman foe. The movies share a similar narrative structure, beginning with the introduction of seemingly ordinary protagonists whose lives are violently upended by their encounter with the depraved maternal antagonist. As the stories progress, dark secrets from the past are gradually unveiled, revealing the tragic origins and motivations behind the villains' monstrous behavior. The climax culminates in a brutal confrontation where the protagonists must overcome the maternal threat through cunning and sheer determination. Thematically, both films explore the perversion of maternal instincts, the cyclical nature of abuse and trauma, and the extremes to which the human psyche can be driven by loss and depravity. The juxtaposition of the nurturing, protective role of motherhood with acts of unspeakable cruelty creates a deeply unsettling and visceral horror.
Citadel
Both "Barbarian" and "Citadel" revolve around protagonists who become entangled with deformed, monstrous beings living in the depths of dilapidated urban dwellings. The central characters stumble upon hidden underground tunnels and chambers where these creatures reside, born from generations of incest and abuse. The plots follow the protagonists' harrowing encounters with these inhuman entities as they fight for survival against their primal, violent nature. Themes of urban decay, societal neglect, and the consequences of depravity are explored through the lens of horror. The movies share a similar structure of escalating tension and dread as the characters uncover the disturbing secrets lurking beneath the surface.
Oracle
Both "Barbarian" and "Oracle" involve a young woman who finds herself trapped in a sinister, haunted house with a dark history. The houses contain hidden underground spaces where horrific acts of violence and imprisonment occurred in the past, perpetrated by disturbed individuals. The protagonists uncover these secrets and face supernatural threats from the vengeful spirits of the victims. The plots build tension through the gradual revelation of the houses' grim backstories and the protagonists' struggles to survive against the malevolent forces. Themes of generational trauma, abuse, and the lingering effects of past atrocities are central to both films. The narratives culminate in climactic confrontations where the protagonists must confront and overcome the evil entities haunting the houses.
The Hideout
Both "Barbarian" and "The Hideout" involve a central character moving into an old, seemingly haunted house with a dark and disturbing history. In both films, the houses contain hidden underground tunnels and rooms where horrific acts of violence and imprisonment occurred in the past, involving the torture and rape of women. The protagonists discover these secrets and are pursued by deranged, murderous figures - the monstrous "Mother" in "Barbarian" and the vengeful spirits of murdered nuns in "The Hideout". The plots build suspense as the protagonists uncover more clues about the houses' pasts, leading to climactic confrontations with the antagonists in the hidden tunnels and rooms. Both films explore themes of generational trauma, violence against women, and the haunting legacy of past atrocities.
Housebound
Both "Barbarian" and "Housebound" revolve around a seemingly ordinary house that harbors a dark, disturbing secret. In each film, the protagonists discover hidden tunnels and rooms within the house that lead to a twisted, deranged individual living in the underground spaces - the Mother in "Barbarian" and Eugene in "Housebound". These deranged characters have a history of violence and abduction, keeping victims captive in the hidden areas of the house. The protagonists must unravel the mystery and confront the threat posed by these dangerous individuals lurking within the house's walls. Both films build suspense and horror through the gradual revelation of the house's sinister secrets and the protagonists' struggle to survive the depraved inhabitants.
Absentia
Both "Barbarian" and "Absentia" involve ordinary people who stumble upon disturbing supernatural entities lurking in hidden underground spaces. The protagonists in each film discover tunnels or basements concealing deformed, monstrous beings that have been abducting and imprisoning victims for years. These entities are the product of generational abuse and incest, driven by an insatiable desire to create twisted familial bonds with their captives. The films explore themes of urban decay, the horrors lurking beneath the surface of society, and the cyclical nature of violence and trauma. As the protagonists delve deeper into the mysteries, they face escalating danger and must fight for survival against the depraved, inhuman forces that threaten to consume them.
When a Killer Calls
Both "Barbarian" and "When a Killer Calls" involve a psychopathic killer who preys on innocent victims in a residential setting. The killers are revealed to have disturbing backstories involving incest and obsession. The plots follow a similar structure of building suspense as the protagonists become trapped and terrorized by the killers in the houses, leading to violent confrontations and the protagonists fighting for survival. The themes of urban decay, hidden horrors lurking beneath the surface, and the violation of domestic spaces are central to both films. The killers are portrayed as deformed, monstrous figures driven by twisted desires, contrasting with the vulnerability of the protagonists who are simply in the wrong place at the wrong time.
Keep Watching
Both "Barbarian" and "Keep Watching" involve ordinary people being terrorized in their homes by deranged individuals. The plots center around the protagonists discovering hidden, disturbing secrets within the houses they are staying in - a secret underground tunnel system in "Barbarian" and hidden cameras throughout the home in "Keep Watching". The villains in both films are depraved, violent individuals who prey on innocent victims, with "Barbarian" featuring a monstrous, incestuous woman and "Keep Watching" involving a sadistic group filming and torturing a family. The protagonists must fight for survival against these threats while uncovering the horrific truths behind their situations. Both movies build tension through the protagonists' vulnerability in their own homes and the shocking reveals of the villains' twisted motives and backstories.
Silent House
Both "Barbarian" and "Silent House" are psychological horror films that explore themes of trauma, repressed memories, and the horrors that can lurk within seemingly ordinary homes. The central characters in each film, Tess and Sarah respectively, find themselves trapped in dilapidated houses where they uncover disturbing secrets and face threats from deranged individuals. In "Barbarian", Tess discovers a hidden underground tunnel beneath the rental house, leading to a deformed woman known as "The Mother" who is the product of multi-generational incest and abuse by the previous owner. Similarly, in "Silent House", Sarah experiences hallucinations and repressed memories of childhood sexual abuse by her father, with the house serving as a catalyst for these traumatic events to resurface. Both films employ a sense of claustrophobia and isolation, with the characters trapped within the confines of the houses and forced to confront their fears and the horrors that have been hidden away. The reveal of the disturbing pasts and the presence of deranged individuals, whether the Mother in "Barbarian" or Sarah's abusive father in "Silent House", creates a sense of dread and tension throughout the films. Ultimately, both movies explore the idea that even the most ordinary-looking homes can harbor dark secrets and serve as a canvas for exploring the psychological impact of trauma and abuse.
Stash House
Both "Barbarian" and "Stash House" involve unsuspecting protagonists who stumble upon hidden, sinister secrets within seemingly ordinary houses. The houses contain underground tunnels and rooms used for nefarious purposes - in "Barbarian" it's a lair for kidnapping and incestuous abuse, while in "Stash House" it's a hideout for drug dealers. The protagonists find themselves trapped and terrorized by deranged, violent antagonists - the monstrous "Mother" in "Barbarian" and the ruthless criminals in "Stash House". The plots follow the protagonists' desperate attempts to survive and escape these nightmarish situations, culminating in intense, bloody confrontations with the villains. Both films explore themes of hidden evil lurking beneath the surface of the mundane.
Bloodline
Both "Barbarian" and "Bloodline" explore the disturbing themes of violence, abuse, and generational trauma. The central characters in both films are driven by a desire to protect themselves and their loved ones from abusive figures, even resorting to extreme and brutal measures. The plots revolve around uncovering dark family secrets and confronting the consequences of past atrocities. The movies feature twisted, deranged antagonists who are products of incestuous relationships and multi-generational abuse. The protagonists must navigate the horrors of these antagonists' actions while grappling with their own moral boundaries. Ultimately, both films culminate in intense, violent confrontations where the protagonists must make difficult choices to survive and break the cycle of abuse.
Open House
Both "Barbarian" and "Open House" revolve around unsuspecting protagonists who stumble upon hidden, sinister secrets within seemingly ordinary houses. The houses conceal underground tunnels and rooms used for abducting, imprisoning, and torturing victims by deranged individuals - Frank and his inbred offspring "The Mother" in "Barbarian", and the twisted siblings David and Lila in "Open House". The protagonists become trapped and must fight for survival against their depraved captors. The movies explore themes of urban decay, the horrors lurking beneath the surface, and the depravity that humans are capable of. They build suspense through the gradual revelation of the disturbing truths hidden within the houses' walls and foundations.
Come Back to Me
Both "Barbarian" and "Come Back to Me" involve disturbing stories of violence and supernatural elements. The central characters in both films encounter deranged individuals who have been committing horrific acts over many years, often involving kidnapping, rape, and murder. The antagonists are revealed to have complex backstories rooted in trauma and abuse, leading them to develop twisted obsessions and engage in cyclical patterns of violence. The protagonists find themselves trapped in nightmarish situations where they must fight for survival against these depraved antagonists. Themes of generational trauma, the dark underbelly of society, and the fragility of human life are explored in both films through their grim and unsettling narratives.
Big Driver
Both "Barbarian" and "Big Driver" are psychological horror/thriller films that center around a woman being violently attacked and sexually assaulted by a deranged man. The main characters, Tess Marshall and Tess Thorne, are both writers who find themselves in dangerous situations involving hidden underground spaces where the attackers keep their victims captive. The films explore themes of trauma, revenge, and the cycle of violence. In both cases, the women take matters into their own hands to confront and ultimately kill their attackers, though the circumstances differ. The films also touch on the societal stigma and victim-blaming that survivors of sexual assault often face.
Girl on the Third Floor
Both "Barbarian" and "Girl on the Third Floor" involve protagonists who move into old, dilapidated houses that harbor dark secrets and supernatural horrors. The houses contain hidden rooms and passages leading to disturbing underground spaces where terrible crimes occurred in the past, involving the abuse and imprisonment of women. The protagonists encounter deformed, monstrous women who are products of multi-generational abuse and incest, seeking to continue the cycle of violence. The films explore themes of misogyny, the exploitation of women, and the lingering effects of past atrocities. They also feature shocking twists and revelations about the true nature of the horrors within the houses.
Amnesiac
Both "Barbarian" and "Amnesiac" involve a central character who finds themselves trapped in a disturbing and dangerous situation involving a deranged captor. The captors are women who have been driven to extreme acts of violence and depravity, likely due to past trauma and abuse. The stories explore themes of confinement, torture, and the dark depths of human cruelty. The protagonists must fight for survival against their unhinged captors while uncovering the twisted histories that led to their predicaments. The plots build tension through grisly discoveries and escalating violence, culminating in brutal confrontations where the protagonists must use their wits and determination to escape their nightmarish ordeals.