BingeFinder AI

100+ Movies like White Chicks

3.5
2004 Comedy, Crime

Discover movies similar to the hilarious comedy "White Chicks," where two FBI agents go undercover as wealthy socialite sisters to solve a high-profile kidnapping case. Expect outrageous disguises, mistaken identities, and culture clash humor as the agents navigate the world of the rich and shallow. Find films featuring undercover operations, gender-bending roles, and fish-out-of-water scenarios that deliver laughs through clever twists and character transformations.

Sisterakas

Sisterakas

2.5
2012

Both "White Chicks" and "Sisterakas" revolve around a central premise of identity swapping and impersonation. In "White Chicks", two FBI agents disguise themselves as wealthy white socialites to protect them from a kidnapping plot. Similarly, in "Sisterakas", a woman named Detty unknowingly takes a job working for her estranged brother Bernice, who is seeking revenge against her family by having her impersonate herself. The movies explore themes of family, reconciliation, and overcoming prejudices through the lens of characters adopting different personas. The protagonists face challenges and misunderstandings due to their assumed identities, leading to comedic situations and personal growth. Ultimately, both films culminate in the revelation of the characters' true selves and the resolution of conflicts through understanding and forgiveness between family members.

Big Mommas: Like Father, Like Son

Big Mommas: Like Father, Like Son

2.8
2011

Both "White Chicks" and "Big Mommas: Like Father, Like Son" revolve around male law enforcement officers going undercover by disguising themselves as overweight women. In "White Chicks", FBI agents Marcus and Kevin impersonate wealthy socialite sisters Brittany and Tiffany to protect them from kidnappers. Similarly, in "Big Mommas", FBI agent Malcolm disguises himself as his wife's grandmother "Big Momma" and his stepson Trent as "Charmaine" to infiltrate a school and recover a stolen flash drive. The movies follow the agents' comedic struggles to maintain their disguises while navigating social situations and romantic interests. They also involve subplots of the agents bonding with the people they're impersonating and learning valuable lessons. Ultimately, the agents succeed in their missions while their true identities are revealed, leading to humorous resolutions.

Miss Congeniality 2: Armed and Fabulous

Miss Congeniality 2: Armed and Fabulous

2.9
2005

Both "White Chicks" and "Miss Congeniality 2: Armed and Fabulous" follow a similar premise of law enforcement agents going undercover in an unfamiliar world. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters to protect them from kidnappers. Similarly, in "Miss Congeniality 2", FBI agent Gracie Hart goes undercover in Las Vegas to investigate the kidnapping of a beauty pageant winner and host. The movies share themes of identity swapping, fish-out-of-water scenarios, and culture clashes as the agents navigate high society and glamorous settings. Both feature comedic situations arising from the agents' struggles to maintain their cover while pursuing the case. Ultimately, the agents embrace their undercover personas to solve the crimes and prove their worth as law enforcement professionals.

Big Momma's House

Big Momma's House

2.9
2000

Both "White Chicks" and "Big Momma's House" follow a similar premise where two FBI agents go undercover disguised as people vastly different from themselves to investigate a case. In "White Chicks", the agents disguise themselves as wealthy white socialites, while in "Big Momma's House", one agent disguises himself as an elderly obese Black woman. The agents must maintain their disguises and immerse themselves in the lives of those they are impersonating, leading to comedic situations as they navigate unfamiliar social circles and cultural norms. Both films explore themes of identity, deception, and the agents' personal growth through their undercover experiences. The agents form unexpected bonds with the people they are impersonating and their families, ultimately leading to a resolution of the case and a deeper understanding of themselves and others.

The Cookout

The Cookout

2.5
2004

Both "White Chicks" and "The Cookout" revolve around the central premise of two men having to impersonate other people to navigate a high-society event. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters Brittany and Tiffany Wilson to protect them from kidnappers. Similarly in "The Cookout", basketball star Todd Andersen's eccentric family disrupts an important business meeting at his new mansion, forcing him to hide their antics from his agent and a company representative. The movies share common themes of culture clash, with the protagonists struggling to fit into an upper-class world while staying true to their roots. Both feature comedic situations arising from the protagonists' attempts to maintain their false identities and impress those around them. Family bonds and accepting one's background are also central themes, as the protagonists ultimately embrace their families despite initial embarrassment. The narratives follow parallel arcs of the protagonists initially rejecting their families to uphold a desired image, only to later reconcile with them and realize the importance of staying grounded. Romantic subplots involving the protagonists and love interests from different social circles also feature prominently. Overall, the movies share a core premise of identity swapping leading to comedic culture clashes and a reaffirmation of family values.

Zoolander

Zoolander

3.1
2001

Both "Zoolander" and "White Chicks" revolve around male protagonists who go undercover by disguising themselves as other people. In "Zoolander", Derek Zoolander and Hansel McDonald disguise themselves as fashion models to uncover an assassination plot, while in "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters Brittany and Tiffany to protect them from kidnappers. The movies share themes of mistaken identity, culture clash between different social classes, and satirizing the fashion industry and high society. The protagonists face challenges in maintaining their disguises while navigating unfamiliar social circles, leading to comedic situations. Both films also feature villainous plots involving the fashion world that the protagonists must foil.

The Sleepover

The Sleepover

3.2
2020

Both "White Chicks" and "The Sleepover" follow a similar premise of two individuals impersonating others for a specific purpose. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters Brittany and Tiffany to protect them from potential kidnappers. Similarly, in "The Sleepover", siblings Clancy and Kevin, along with their friends, impersonate musicians to infiltrate a gala where their mother, a former criminal, is being held. The movies share a comedic tone as the protagonists navigate the challenges of their disguises and impersonations, often leading to humorous situations and misunderstandings. Both films involve a criminal plot, with the impersonations initially serving as a cover but eventually leading the characters to uncover and thwart a larger scheme. The central characters in both movies are siblings who find themselves in over their heads but work together to resolve the conflicts. The stories also feature romantic subplots, with the protagonists developing feelings for other characters while maintaining their disguises. Ultimately, the films culminate in action-packed climaxes where the impersonators reveal their true identities and confront the antagonists.

Zoolander 2

Zoolander 2

2.4
2016

Both "Zoolander 2" and "White Chicks" involve male protagonists who go undercover by disguising themselves as other people - Derek Zoolander and Hansel McDonald disguise as fashion models, while Kevin Copeland and Marcus Anthony disguise as wealthy socialite sisters Brittany and Tiffany Wilson. The disguises lead to comedic situations as the protagonists struggle to maintain their cover identities while interacting with others in the fashion world. Both movies satirize the fashion industry and its superficial nature. There is also a criminal plot involving kidnappings and villains seeking to exploit the protagonists' disguises for nefarious purposes - Mugatu wants to sacrifice Derek Jr. for eternal youth, while Warren Vandergeld is behind the kidnappings of wealthy individuals. The protagonists ultimately foil the villains' schemes and embrace their true identities by the end.

Identity Thief

Identity Thief

2.9
2013

Both "White Chicks" and "Identity Thief" involve a case of mistaken identity where the main characters impersonate someone else to resolve a predicament. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters to protect them from kidnappers. Similarly in "Identity Thief", Sandy tracks down Diana who stole his identity to clear his name. The movies follow the characters navigating awkward situations while maintaining their false identities, leading to comedic misunderstandings. Ultimately, the impersonators develop empathy for those they impersonated, and the resolution involves capturing the real criminals behind the identity theft or kidnapping schemes.

Double Take

Double Take

2.8
2001

Both "White Chicks" and "Double Take" involve a case of mistaken identity where the main characters must impersonate other people to solve a crime or mystery. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters to protect them from a kidnapping plot. Similarly in "Double Take", investment banker Daryl Chase swaps identities with an undercover FBI agent named Freddy Tiffany to evade corrupt agents involved in a money laundering scheme. The movies follow the protagonists navigating their new personas, interacting with the people in the lives of those they're impersonating, and getting entangled in comedic situations due to their unfamiliarity with the roles. They also uncover larger criminal conspiracies tied to the initial cases, with the impersonations becoming crucial to infiltrating and exposing the villains' operations. Both films feature a romantic subplot where one of the protagonists develops feelings for someone while in their disguise. The stories climax with the heroes revealing their true identities, confronting the antagonists, and ultimately resolving the central conflicts through a combination of action, deception, and humor stemming from the identity swaps.

Bad Company

Bad Company

2.8
2002

Both "White Chicks" and "Bad Company" involve an undercover operation where the protagonists must impersonate someone else. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters Brittany and Tiffany Wilson to protect them from kidnappers. Similarly, in "Bad Company", Jake Hayes impersonates his deceased twin brother Michael Turner, a CIA agent, to complete a mission to retrieve a stolen suitcase bomb. The protagonists in both films face challenges in maintaining their false identities and navigating unfamiliar social circles. They also encounter romantic interests while undercover, with Kevin pursuing a reporter and Marcus attracting a basketball player in "White Chicks", and Jake connecting with his brother's ex-girlfriend in "Bad Company". Both movies feature comedic elements as the protagonists struggle to adapt to their assumed roles and blend in with their surroundings. Ultimately, the undercover operations lead to confrontations with the antagonists, where the protagonists must use their wits and skills to thwart the villains' plans and complete their missions.

Madea's Witness Protection

Madea's Witness Protection

3.0
2012

Both "White Chicks" and "Madea's Witness Protection" involve a case of mistaken identity where ordinary people must impersonate others to protect themselves or carry out a mission. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters to escort them to a fashion event and uncover a kidnapping plot. Similarly in "Madea's Witness Protection", a businessman George and his family are placed in witness protection at Madea's house, where George must impersonate someone else to recover stolen funds from his company's Ponzi scheme. The movies follow the characters navigating awkward situations while maintaining their false identities, with comedic culture clashes arising from their contrasting backgrounds. Ultimately, the experiences bring the families closer together and help the protagonists find confidence and purpose.

Game Night

Game Night

3.4
2018

Both "White Chicks" and "Game Night" involve a group of friends who get caught up in an elaborate ruse or game that turns out to be real. In "White Chicks", FBI agents Marcus and Kevin must impersonate two wealthy sisters to protect them from a kidnapping plot, while in "Game Night", a group of friends think they are participating in an interactive mystery game but end up embroiled in a real criminal conspiracy involving a valuable item. The movies share themes of mistaken identities, role-playing, and ordinary people thrust into extraordinary circumstances. They also feature comedic moments arising from the characters' attempts to navigate the increasingly convoluted situations they find themselves in. Ultimately, the friends in both movies must work together to unravel the truth and escape the dangerous predicaments they've become entangled in.

Boo! A Madea Halloween

Boo! A Madea Halloween

2.9
2016

Both "White Chicks" and "Boo! A Madea Halloween" involve a group of older characters impersonating or posing as younger people to infiltrate a social gathering or event. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as the wealthy Wilson sisters to protect them from kidnappers at a Hamptons event. Similarly in "Boo! A Madea Halloween", Madea and her elderly friends pose as ghosts to scare away a group of college students throwing a Halloween party that Tiffany wants to attend against her father's wishes. The movies share themes of generational divides, with the older characters disapproving of the younger generation's behavior and social activities. There are also comedic misunderstandings and hijinks that arise from the impersonations and disguises. Both films climax with the older characters being exposed and confronting the younger characters, leading to resolutions where lessons are learned about respect and responsibility.

Material Girls

Material Girls

2.6
2006

Both "White Chicks" and "Material Girls" follow a similar premise of wealthy, privileged young women who lose their status and money, forcing them to experience life from a different perspective. In "White Chicks", FBI agents Marcus and Kevin impersonate the wealthy Wilson sisters, while in "Material Girls", sisters Tanzie and Ava lose their fortune and must live as ordinary people. Both films explore themes of identity, materialism, and the superficiality of high society. The protagonists undergo transformative journeys, learning valuable lessons about themselves and what truly matters in life beyond wealth and status. They face challenges navigating unfamiliar social circles, romantic interests, and unraveling scandals that threaten their families' reputations. Ultimately, the films deliver comedic takes on the fish-out-of-water trope, with the protagonists gaining newfound appreciation for their circumstances and personal growth.

Puerto Ricans in Paris

Puerto Ricans in Paris

2.9
2015

"Puerto Ricans in Paris" and "White Chicks" share several key similarities in their plot and story structure: - Two male law enforcement partners are tasked with an undercover mission involving disguising themselves as other people - in "White Chicks" they pose as wealthy white socialites, while in "Puerto Ricans in Paris" they go undercover in Paris to investigate a fashion industry crime. - The partners struggle with maintaining their disguises and personas, leading to comedic situations and misunderstandings as they interact with others while undercover. - Both films involve the partners' personal relationships being tested and strained due to the demands of their undercover work, with one partner accusing the other of infidelity. - The undercover mission ultimately leads to the partners uncovering a larger conspiracy or criminal plot within the fashion industry that they must resolve. - The films culminate in the partners repairing their friendship/partnership, resolving the case, and gaining a newfound appreciation for the people they were impersonating.

Hit & Run

Hit & Run

2.9
2012

Both "White Chicks" and "Hit & Run" involve a pair of men who must impersonate other people for a specific purpose. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters Brittany and Tiffany to protect them from a kidnapping plot. Similarly, in "Hit & Run", Charlie, who is in witness protection, must travel to Los Angeles while evading his former criminal associates, and ends up impersonating someone else along the way. The movies follow the misadventures and hijinks that ensue as the male protagonists navigate their false identities, deal with romantic interests, and ultimately confront the criminal threats against them. Both films employ a comedic tone and explore themes of deception, mistaken identity, and the lengths people will go to protect loved ones or themselves.

Before I Self Destruct

Before I Self Destruct

2.4
2009

Both "Before I Self Destruct" and "White Chicks" involve protagonists who get entangled in criminal activities and deception due to unfortunate circumstances. In "White Chicks", FBI agents Marcus and Kevin impersonate wealthy socialites to solve a kidnapping case, while in "Before I Self Destruct", Clarence becomes a hitman to support his brother after their mother's death. The protagonists assume false identities and navigate dangerous situations, facing challenges and betrayals along the way. Themes of family, loyalty, and the consequences of one's actions are central to both films' narratives. The movies also explore societal divides, with the agents navigating the elite world of the Hamptons in "White Chicks", and Clarence seeking a better life in "Before I Self Destruct". Both films culminate in dramatic confrontations and resolutions, with the protagonists ultimately prevailing despite the odds.

Boo 2! A Madea Halloween

Boo 2! A Madea Halloween

2.9
2017

Both "White Chicks" and "Boo 2! A Madea Halloween" involve a group of people impersonating others for a specific purpose. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters Brittany and Tiffany to protect them from kidnappers. Similarly, in "Boo 2!", Madea and her crew impersonate a masked killer and his family to prank Tiffany and her friends who snuck out to a party. The movies follow the impersonators' antics and misadventures as they navigate their false identities, leading to comedic situations and misunderstandings. Ultimately, the truth is revealed, and the impersonators face consequences but also achieve their goals of protecting the targets or teaching a lesson. Both films use the impersonation premise to drive the plot and generate humor through the characters' interactions and role-playing.

Fun Size

Fun Size

2.8
2012

Both "White Chicks" and "Fun Size" revolve around a pair of undercover agents or individuals who must impersonate other people for a mission or task. In "White Chicks", FBI agents Marcus and Kevin disguise themselves as wealthy socialite sisters to protect them from kidnappers. Similarly in "Fun Size", teenager Wren must take her younger brother trick-or-treating while impersonating his interests to find him after he goes missing. The movies share themes of mistaken identities, culture clashes, and comedic situations arising from the protagonists navigating unfamiliar social circles while undercover. Both films also involve subplots of romantic interests developing during the charade. Overall, the core premise of impersonating others to accomplish a goal while facing comedic obstacles drives the narratives of both movies.