100+ Movies like Pulp Fiction
Sin City: A Dame to Kill For
Both "Pulp Fiction" and "Sin City: A Dame to Kill For" have a non-linear narrative structure with multiple interrelated storylines that are presented out of chronological order. The films follow different protagonists whose stories intersect and converge, including hitmen, criminals, and those seeking revenge. Extreme violence, dark humor, and stylized visuals are prevalent in both movies. The plots revolve around criminal underworlds, with characters navigating dangerous situations involving murder, betrayal, and retribution. Themes of morality, redemption, and the consequences of one's actions are explored through the intertwining narratives.
One Night at McCool's
Both "Pulp Fiction" and "One Night at McCool's" feature non-linear storytelling with multiple interweaving storylines told from different perspectives. The narratives jump back and forth in time, with scenes often re-enacted from contrasting viewpoints that contradict each other. The films center around criminal underworlds and shady characters, including hitmen, con artists, and femme fatales who manipulate the male protagonists. There are elements of dark comedy, violence, and crime capers gone awry. The stories explore themes of deception, greed, and the consequences of immoral actions. The structure involves circular narratives where events and characters intersect in unexpected ways, culminating in chaotic climaxes involving betrayals and showdowns.
Wrong Turn at Tahoe
Both "Pulp Fiction" and "Wrong Turn at Tahoe" are crime dramas with non-linear narratives that jump between different storylines and time periods. They center around violent criminals and hitmen who work for powerful crime bosses. The plots involve betrayals, revenge killings, and graphic violence. The protagonists are morally ambiguous characters who struggle with the consequences of their violent lifestyles. Biblical references and philosophical musings about morality and the nature of violence are woven into the narratives. The movies also share a dark, gritty tone and stylized dialogue.
Too Late
Both "Pulp Fiction" and "Too Late" employ a nonlinear narrative structure, with the plot events presented out of chronological order across multiple interrelated storylines. The films follow an ensemble cast of characters whose storylines intersect and overlap, with certain events shown from different perspectives. The narratives feature elements of crime, violence, and dark humor, with protagonists involved in the criminal underworld. Key plot points revolve around murders, betrayals, and the consequences of characters' actions. The movies also share stylistic similarities in their gritty, neo-noir aesthetics and pop culture references.
Sin City
Both "Pulp Fiction" and "Sin City" have a non-linear narrative structure, with multiple interrelated storylines told out of chronological order. The films follow an ensemble cast of characters whose stories intersect and overlap, with events being shown from different perspectives. They feature gritty, violent subject matter involving criminals, hitmen, and the seedy underbelly of society. The movies employ stylized visuals and dialogue, with dark humor and pop culture references. Themes of morality, redemption, and the consequences of violence are explored through the characters' arcs. The plots revolve around criminal schemes, betrayals, and characters seeking vengeance or trying to escape their circumstances.
Played
Both "Pulp Fiction" and "Played" feature non-linear storytelling with multiple interrelated storylines that are presented out of chronological order. The narratives revolve around criminal underworlds, with protagonists involved in heists, drug deals, and violent confrontations. Key characters include hitmen, gangsters, and criminals seeking revenge or trying to settle scores. The movies explore themes of loyalty, betrayal, and the consequences of a life of crime through their circular plot structures that ultimately connect the various storylines. Stylistic elements like dark humor, pop culture references, and graphic violence are prevalent in both films.
Seven Psychopaths
Both "Seven Psychopaths" and "Pulp Fiction" have non-linear, fragmented narratives that interweave multiple storylines and characters. The plots follow eccentric criminals and hitmen whose lives intersect in violent and darkly comedic ways. The movies employ a circular structure where events loop back on themselves from different perspectives. They explore themes of violence, morality, and the creative process through the lens of crime stories. The protagonists are writers struggling with their work, which mirrors the films' self-referential, meta-fictional elements about storytelling. Both movies feature memorable hitman characters, graphic violence juxtaposed with humor, and philosophical musings on life and death. The endings bring closure to the interwoven storylines while leaving some ambiguity.
Snoop Dogg's Hood of Horror
"Snoop Dogg's Hood of Horror" shares several key similarities with "Pulp Fiction" in its narrative structure and themes: 1. Non-linear storytelling: Both films employ a non-chronological, interweaving narrative structure with multiple storylines that converge and intersect. 2. Anthology format: The movies are composed of several distinct yet interconnected stories or vignettes featuring different protagonists. 3. Moral ambiguity: The protagonists operate in morally gray areas, engaging in criminal activities and violence, yet their actions are portrayed without overt judgment. 4. Dark humor: Despite the gritty subject matter, both films incorporate elements of dark comedy and satirical humor. 5. Supernatural elements: While more subtle in "Pulp Fiction", both movies incorporate supernatural or unexplained occurrences that drive the plot. 6. Redemption arcs: Several characters in both films undergo transformative experiences or seek redemption for their past misdeeds. 7. Urban setting: The stories take place in gritty, urban environments and explore the underbelly of city life.
Yellow Hair 2
Both "Pulp Fiction" and "Yellow Hair 2" employ a non-linear narrative structure, with the plot unfolding in a non-chronological order through multiple interrelated storylines involving different protagonists. The films follow an ensemble cast of characters whose lives intersect and influence each other's arcs. They explore themes of violence, crime, and the seedy underbelly of society through gritty and graphic depictions. The protagonists are flawed individuals navigating morally ambiguous situations, often resorting to extreme measures. The stories culminate in intense, climactic confrontations involving death and retribution. Overall, the two films share a stylistic and thematic approach to storytelling that blends dark humor, shocking violence, and complex character dynamics.
The Vanishing of Sidney Hall
Both "Pulp Fiction" and "The Vanishing of Sidney Hall" employ a non-linear narrative structure, with events presented out of chronological order through flashbacks and flash-forwards. The stories follow multiple interrelated storylines with different protagonists, whose arcs intersect and influence each other. The films explore themes of crime, violence, and the consequences of one's actions through morally ambiguous characters. Key plot points revolve around fateful encounters, betrayals, and the pursuit of redemption or escape from a life of wrongdoing. The narratives build towards climactic confrontations that bring the various threads together, with some characters meeting tragic ends while others find a sense of resolution or a new path forward.
Bad Lieutenant: Port of Call - New Orleans
Both "Pulp Fiction" and "Bad Lieutenant: Port of Call - New Orleans" follow a non-linear narrative structure, with the plot events presented out of chronological order. The stories revolve around morally corrupt protagonists - hitmen in "Pulp Fiction" and a drug-addicted police officer in "Bad Lieutenant" - who engage in criminal activities and violence. The films explore themes of redemption, as the main characters grapple with their immoral choices and face potential consequences. Both movies feature graphic depictions of violence, drug use, and dark humor. The protagonists interact with various criminal underworld figures and encounter bizarre, surreal situations. Despite their flaws, the main characters demonstrate a sense of ethics or code, suggesting an underlying moral compass. The films employ stylized direction and dialogue, creating a distinctive tone and atmosphere.
Vincent N Roxxy
"Vincent N Roxxy" shares several key similarities with "Pulp Fiction" in its plot structure and themes: - Both films have a non-linear narrative with multiple intertwining storylines that are presented out of chronological order. - The protagonists are involved in criminal activities and violence, including theft, murder, and revenge. - There are graphic depictions of violence and brutality, often portrayed in a stylized manner. - The films explore themes of redemption, morality, and the consequences of leading a life of crime. - Chance encounters and seemingly random events play a pivotal role in shaping the characters' fates. - The protagonists develop an unlikely romantic connection amidst the chaos and violence surrounding them. - Dark humor and pop culture references are woven throughout the narratives.
Die in a Gunfight
Both "Pulp Fiction" and "Die in a Gunfight" feature non-linear storytelling with intertwining plot lines involving crime, violence, and complex character relationships. The narratives jump between different storylines and time periods, gradually revealing connections between seemingly disparate events and characters. Themes of revenge, family feuds, and the consequences of criminal lifestyles are central to both films. The movies also share stylistic elements like dark humor, pop culture references, and intense action sequences. Ultimately, the stories converge to resolve the various conflicts and character arcs in climactic showdowns.
Collateral
Both Pulp Fiction and Collateral follow a non-linear narrative structure, with multiple intertwining storylines that converge towards the end. The protagonists are ordinary people - a cab driver and a boxer - who get entangled with dangerous criminals and hitmen. The movies explore themes of fate, chance encounters, and the consequences of violence and crime. They feature intense, suspenseful action sequences involving murders, chases, and confrontations. The hitmen characters, Vincent Vega in Pulp Fiction and Vincent in Collateral, are cold-blooded killers who manipulate and endanger the protagonists. However, the protagonists ultimately gain the upper hand through their wits and determination. The movies also share stylistic elements like dark humor, pop culture references, and gritty urban settings.
LUV
Both "Pulp Fiction" and "LUV" follow a non-linear narrative structure, with the plot unfolding through interconnected storylines presented out of chronological order. The protagonists are involved in the criminal underworld, with "Pulp Fiction" featuring hitmen Jules and Vincent, while "LUV" centers around ex-convict Vincent and his nephew Woody. Both films explore themes of violence, morality, and the consequences of criminal lifestyles. Key plot points involve drug deals gone wrong, leading to intense confrontations and acts of violence. The protagonists find themselves in perilous situations, forced to make difficult choices that test their moral boundaries. Ultimately, both films culminate in tragic outcomes, with the main characters facing the harsh realities of their actions and the cycle of violence they are caught in.
Revolver
Both "Pulp Fiction" and "Revolver" feature non-linear, fragmented narratives with multiple interrelated storylines that are presented out of chronological order. The plots revolve around the criminal underworld, with protagonists involved in organized crime, gambling, and violence. The movies explore themes of morality, redemption, and the consequences of ego and greed through the journeys of the main characters. The storytelling employs stylistic techniques like intertitles, overlapping sequences from different perspectives, and circular narrative structures that connect the various plot threads. Philosophical and existential elements are woven into the gritty, violent tales of gangsters, hitmen, and their power struggles within the criminal hierarchy.
Gomorrah
Both "Pulp Fiction" and "Gomorrah" employ a non-linear narrative structure, interweaving multiple storylines that eventually converge. The films depict the gritty underworld of organized crime, with characters involved in violent acts like murder, drug dealing, and robbery. They explore themes of loyalty, betrayal, and the moral ambiguity of criminal life. The stories follow an ensemble cast of characters whose lives intersect, including hitmen, gangsters, and those caught in the crossfire of criminal activities. The films portray a bleak, nihilistic worldview where violence is commonplace and the lines between good and evil are blurred. They also incorporate elements of dark humor and pop culture references amidst the grim subject matter.
The Air I Breathe
Both "The Air I Breathe" and "Pulp Fiction" have a non-linear narrative structure with multiple intertwining storylines that are presented out of chronological order. The films follow several protagonists whose lives intersect and impact each other in unexpected ways. The stories involve crime, violence, and characters from the criminal underworld, such as gangsters, hitmen, and enforcers. There are elements of dark humor and philosophical musings on life, death, and morality. The plots feature twists, surprises, and circular narratives where events and characters connect in the end. Both movies employ stylized visuals, pop culture references, and non-traditional storytelling techniques to create a unique cinematic experience.
Chaos
Both "Pulp Fiction" and "Chaos" feature non-linear storytelling with multiple interrelated storylines that are presented out of chronological order. The narratives follow groups of criminals and law enforcement officers whose lives become entangled through violent encounters and betrayals. Key plot points involve heists, hostage situations, and the pursuit of a mysterious briefcase/money transfer. The films explore themes of chaos, moral ambiguity, and the cyclical nature of violence through their circular narrative structures and characters who blur the lines between lawful and criminal behavior. Stylistic elements like dark humor, pop culture references, and sudden bursts of intense action are also shared between the two movies.
21 Grams
Both "21 Grams" and "Pulp Fiction" employ a nonlinear narrative structure, with the plot events presented out of chronological order. The stories follow multiple interrelated storylines with different protagonists whose lives become entangled due to a central, violent event. In "Pulp Fiction", the storylines revolve around the aftermath of a botched robbery and the retrieval of a mysterious briefcase, while in "21 Grams", the central event is a fatal hit-and-run accident that leads to an organ transplant connecting the characters. The films explore themes of guilt, redemption, and the consequences of violence through the perspectives of various characters, including criminals, victims, and those caught in the crossfire. The protagonists grapple with moral dilemmas, questioning their faith and purpose in life after traumatic experiences. Both movies feature graphic depictions of violence and dark, gritty tones that contrast with moments of dark humor. The nonlinear structure allows the filmmakers to present events from multiple viewpoints, creating a sense of mystery and suspense as the audience pieces together the full narrative. The intertwining storylines and morally ambiguous characters blur the lines between heroes and villains, challenging traditional notions of good and evil. Overall, the films share a similar approach to storytelling, using unconventional narrative techniques to explore complex themes of morality, redemption, and the human condition.