100+ Movies like No Country for Old Men
The Three Burials of Melquiades Estrada
Both "No Country for Old Men" and "The Three Burials of Melquiades Estrada" are neo-Western films that explore themes of violence, morality, and the harsh realities of life in the American Southwest near the Mexico border. The central plot of both movies revolves around the death of an innocent man and the subsequent journey undertaken by another character to honor the deceased. In "No Country for Old Men", Llewelyn Moss stumbles upon a drug deal gone wrong and takes a case of money, leading to a violent pursuit by the ruthless hitman Anton Chigurh. In "The Three Burials", Pete Perkins kidnaps the Border Patrol officer who killed his friend Melquiades and forces him to transport Melquiades' body across the border for a proper burial. Both films feature gritty, morally ambiguous characters navigating the lawless frontier, with the protagonists driven by a sense of duty or honor despite the violence surrounding them. The movies also share a bleak, nihilistic tone and explore the cyclical nature of violence in the region.
Carnage Park
Both "No Country for Old Men" and "Carnage Park" are gritty, violent thrillers set in the American Southwest desert. They follow an innocent person who stumbles upon a crime scene and takes something of value, only to be ruthlessly pursued by a relentless, psychopathic killer. The killers, Anton Chigurh and Wyatt Moss, are cold-blooded, methodical, and seemingly unstoppable forces of evil. The protagonists, Llewelyn Moss and Vivian, are ordinary people thrust into extraordinary circumstances, forced to use their wits and determination to survive against overwhelming odds. The films explore themes of fate, morality, and the consequences of greed, with the protagonists' choices leading them down a dark path of violence and retribution. The plots are driven by intense cat-and-mouse chases and confrontations between the protagonists and antagonists, building tension and suspense throughout. Both films also feature grizzled lawmen, Sheriff Ed Tom Bell and the unnamed sheriff, who are unable to stop the escalating violence and are left questioning the changing world around them.
Happy Hunting
Both "Happy Hunting" and "No Country for Old Men" follow a violent, morally ambiguous protagonist on the run with a valuable item (money/drugs) being pursued by ruthless killers across the American Southwest desert region near the Mexican border. The protagonists encounter various eccentric characters and face life-or-death situations, with the plots exploring themes of fate, morality, and the consequences of one's choices in a harsh, unforgiving world. The stories culminate in brutal confrontations where the protagonists must use their wits and violence to survive against the relentless antagonists. The movies also feature aging lawmen grappling with the senseless violence around them as they approach retirement.
Beyond the Reach
Both "Beyond the Reach" and "No Country for Old Men" involve a ruthless, amoral antagonist who commits brutal acts of violence in pursuit of money or valuables. In "No Country for Old Men", Anton Chigurh is a hitman who tracks down and kills Llewelyn Moss to recover the $2 million cash that Moss took. In "Beyond the Reach", the wealthy John Madec tries to kill Ben to cover up his accidental murder of a prospector after Ben refuses to help conceal the crime. The protagonists, Llewelyn Moss and Ben, are ordinary men caught in extraordinary circumstances who must use their wits and survival skills to evade the relentless pursuit of the villains. Both movies feature intense cat-and-mouse chases across remote desert landscapes as the antagonists ruthlessly hunt down the protagonists. The movies explore themes of morality, the consequences of greed, and the presence of evil in an uncaring world. They depict the protagonists' struggles to survive against overwhelming odds and the villains' disregard for human life in their single-minded pursuit of their goals. The movies build suspense through the protagonists' desperate attempts to escape the villains' traps and violence.
End of the Road
Both "End of the Road" and "No Country for Old Men" revolve around ordinary people who stumble upon a large sum of money from a criminal operation, leading to a deadly pursuit by a ruthless killer. The protagonists, Llewelyn Moss in "No Country for Old Men" and the Freeman family in "End of the Road", find themselves in possession of money from a drug deal gone wrong and a cartel cash transport, respectively. This sets off a chain of events where they are hunted by a merciless hitman, Anton Chigurh in "No Country" and the corrupt sheriff Hammers in "End of the Road". The movies explore themes of fate, morality, and the consequences of greed as the protagonists fight for survival against overwhelming forces. The plots follow a similar structure of the protagonists being pursued across different locations while trying to evade the relentless killers, culminating in a climactic confrontation where the antagonists meet their demise.
Swelter
Both "Swelter" and "No Country for Old Men" revolve around a violent criminal seeking a large sum of money that was stolen or misplaced. A key similarity is the presence of an unstoppable, ruthless hitman (Anton Chigurh in No Country for Old Men, Cole in Swelter) who will stop at nothing to recover the money, leaving a trail of bodies in their wake. The plots follow the attempts of the person who stumbled upon the money (Llewelyn Moss and Bishop/Pike) to evade the hitman while dealing with the consequences of their actions. The movies explore themes of fate, morality, and the cycle of violence in the harsh, unforgiving settings of the American Southwest and small desert towns. The stories culminate in tense confrontations between the hitman and the person with the money, with the latter ultimately prevailing but at a great personal cost.
Galveston
Both "No Country for Old Men" and "Galveston" are gritty crime thrillers set in the American Southwest, exploring themes of violence, morality, and the consequences of criminal actions. The protagonists, Llewelyn Moss and Roy Cady, find themselves entangled in dangerous situations after encountering large sums of money from illicit dealings. They are pursued by ruthless hitmen, Anton Chigurh and Roy's former boss, who will stop at nothing to recover the money. The films depict the protagonists' desperate attempts to protect themselves and their loved ones, Carla Jean and Rocky/Tiffany, from the relentless violence. Ultimately, the stories culminate in tragic endings, reflecting the harsh realities of the criminal underworld and the toll it takes on those caught in its web. Both films explore moral ambiguity, the cyclical nature of violence, and the struggle to find redemption in a world devoid of mercy.
The Mexican
Both "The Mexican" and "No Country for Old Men" revolve around a valuable object (a briefcase of money in "No Country for Old Men" and an antique pistol in "The Mexican") that sets off a violent chain of events involving criminals, hitmen, and ordinary people caught in the crossfire. The protagonists (Llewelyn Moss and Jerry Welbach) stumble upon these objects and must evade ruthless killers (Anton Chigurh and Leroy/Winston Baldry) hired to retrieve them. The stories explore themes of fate, morality, and the consequences of greed and violence in the criminal underworld. The plots follow a nonlinear structure with multiple storylines converging, and feature tense standoffs and shootouts. Both films also have a weary lawman character (Ed Tom Bell) reflecting on the changing nature of violence and their inability to stop it.
Sweet Virginia
Both "Sweet Virginia" and "No Country for Old Men" revolve around a violent criminal who ruthlessly pursues an ordinary person who comes into possession of a large sum of money through chance circumstances. The criminal leaves a trail of bodies in their wake as they track down the money, while the protagonist tries to evade them and protect their loved ones. The stories explore themes of fate, morality, and the consequences of greed and violence in a harsh, unforgiving world. The protagonists are forced to confront the darkness within themselves and others as they are drawn into a deadly game of cat-and-mouse with the unstoppable criminal. The movies build tension through the criminals' relentless pursuit and the protagonists' desperate attempts to survive, culminating in a climactic confrontation where the lines between good and evil become blurred.
Hell or High Water
Both "Hell or High Water" and "No Country for Old Men" are set in the harsh landscape of West Texas and explore themes of crime, morality, and the consequences of desperate actions. The protagonists in both films resort to robbery and violence to secure a better future for their families, driven by financial desperation and a desire to provide for their loved ones. The stories follow parallel arcs of a cat-and-mouse chase between the criminals and law enforcement officers, with the criminals displaying meticulous planning and the officers relying on their experience and intuition to track them down. The films also examine the cyclical nature of violence and the toll it takes on those involved, as well as the moral ambiguity surrounding the protagonists' actions. Both movies culminate in tragic endings, with the criminals meeting their demise but achieving their ultimate goals of securing their families' futures.
Breathless
Both "Breathless" and "No Country for Old Men" involve a violent crime related to stolen money, with ordinary people getting caught up in a deadly situation. In "No Country for Old Men", Llewelyn Moss stumbles upon a drug deal gone wrong and takes a case full of cash, leading to a ruthless hitman hunting him down. Similarly in "Breathless", Lorna discovers her husband Dale robbed a bank and stole $100,000, leading to a violent confrontation and attempts to cover up the crime. The plots follow the characters' desperate efforts to survive and evade the consequences of their actions, with shocking violence and moral ambiguity. The themes of greed, fate, and the harsh realities of the criminal underworld are central to both films' neo-noir styles set in the American Southwest.
The Marksman
Both "The Marksman" and "No Country for Old Men" center around an older man who becomes entangled in a dangerous situation involving Mexican drug cartels and a pursuit of money or valuables. In "No Country for Old Men", Llewelyn Moss stumbles upon a drug deal gone wrong and takes a case full of cash, leading to a relentless pursuit by the ruthless hitman Anton Chigurh. Similarly, in "The Marksman", Jim Hanson reluctantly agrees to escort a young Mexican boy, Miguel, to his family in Chicago after his mother is killed by a cartel, with the cartel leader Mauricio hunting them down to retrieve a bag of cash. The protagonists, Moss and Hanson, are both older men living in the American Southwest who find themselves caught up in violent conflicts with Mexican cartels over money or valuables. They are forced to go on the run, evading the ruthless antagonists, Chigurh and Mauricio, who will stop at nothing to retrieve what they seek. The pursuit leads to a trail of violence and death as the protagonists try to protect themselves and those they care about. Both films explore themes of morality, the consequences of greed, and the harsh realities of the drug trade and violence along the US-Mexico border. They also feature tense cat-and-mouse chases and intense action sequences as the protagonists use their wits and skills to survive against the relentless and merciless antagonists. Ultimately, the stories depict the struggle of ordinary men thrust into extraordinary circumstances, forced to confront the harsh realities of the criminal underworld.
The Little Things
Both "The Little Things" and "No Country for Old Men" revolve around a gritty crime investigation involving a serial killer. The protagonists, an aging lawman and a younger detective, pursue an elusive and cunning killer who leaves a trail of victims. The killers, Chigurh and Sparma, are portrayed as cold and calculating, taunting the investigators. The plots explore the obsession of the lawmen with solving the case, even at great personal cost, and their struggle to maintain their morality in the face of extreme violence. The movies also depict the harsh, desolate landscapes of the American Southwest and Mexico as backdrops for the brutal crimes. Ultimately, the investigators are left haunted by their inability to definitively resolve the cases or stop the killers, reflecting on the futility of their pursuit of justice in a world of senseless violence.
The Mechanic
Both "The Mechanic" and "No Country for Old Men" center around skilled hitmen who carry out brutal killings with ruthless efficiency. The plots follow the hitmen as they pursue targets and deal with the consequences of their violent actions. A key similarity is the mentor-protégé dynamic, where an experienced hitman takes a younger man under his wing and trains him in the ways of assassination. However, this relationship is strained by betrayal and deception, leading to a violent confrontation between the two. The movies also explore themes of morality and the cyclical nature of violence, as the protagonists find themselves caught up in a world where killing begets more killing. The stories unfold through a series of tense, suspenseful set pieces involving chases, shootouts, and grisly murders. Overall, the movies share a gritty, nihilistic tone and depict the harsh realities of the criminal underworld.
Played
Both "Played" and "No Country for Old Men" revolve around a violent criminal underworld and the pursuit of a valuable object - a briefcase of money in "No Country for Old Men" and a videotape in "Played". The protagonists, Llewelyn Moss and Ray Burns, stumble upon these objects and find themselves hunted by ruthless hitmen, Anton Chigurh and Riley, respectively. The stories follow the cat-and-mouse chase between the protagonists and antagonists as they try to outwit each other, with plenty of violence and double-crosses along the way. Both films explore themes of greed, morality, and the consequences of one's actions in a harsh, unforgiving world. The plots are driven by the pursuit of the valuable object and the escalating conflicts that arise, leading to a climactic showdown between the key players. While the specific details differ, the overall narrative structure and tone of gritty crime thrillers with morally ambiguous characters are strikingly similar between the two films.
El Gringo
Both "El Gringo" and "No Country for Old Men" follow a similar premise of a man finding himself in possession of a large sum of money after a violent encounter, and being pursued by ruthless killers as he tries to escape with the money across the Mexico-US border. The protagonists are ordinary men who stumble into dangerous criminal situations involving drugs and money. They face threats from hitmen, cartels, and corrupt law enforcement as they try to survive and keep the money. The stories explore themes of greed, morality, and the consequences of getting entangled in the violent world of the drug trade along the border region.
Blackthorn
Both "Blackthorn" and "No Country for Old Men" follow an aging outlaw or criminal on the run, pursued by dangerous forces over a case of money or valuables. The protagonists, Butch Cassidy in "Blackthorn" and Llewelyn Moss in "No Country for Old Men", stumble upon a large sum of money and attempt to escape with it, only to be relentlessly tracked by a ruthless killer (Chigurh in "No Country", the Spaniard in "Blackthorn"). The stories parallel each other as the protagonists are forced to confront their pasts and the violence of their former lives, leading to tragic consequences for themselves and their loved ones. The movies explore themes of morality, the price of greed, and whether there is still a place for old gunslingers in a changing world.
A Night in Old Mexico
Both "A Night in Old Mexico" and "No Country for Old Men" involve a pursuit of a large sum of money that was obtained through illicit means. In "No Country for Old Men", Llewelyn Moss stumbles upon a drug deal gone wrong and takes a briefcase containing $2 million in cash, leading to a relentless pursuit by the ruthless hitman Anton Chigurh. Similarly, in "A Night in Old Mexico", two hitchhikers steal $150,000 in drug money, which ends up in the possession of Red Bovie and his grandson Gally, prompting a chase by drug dealers and an assassin named Cholo. The movies share themes of violence, greed, and the consequences of pursuing ill-gotten gains. Both feature a cat-and-mouse game between the protagonists and the villains over the money, with intense shootouts and confrontations. The protagonists are forced to flee across the border into Mexico to evade their pursuers, leading to encounters with colorful characters in the Mexican setting. Additionally, both films explore the concept of morality and the choices individuals make when faced with temptation and danger. The protagonists must grapple with the decision to keep the money or do the right thing, while the antagonists represent the ruthless pursuit of wealth and power at any cost.
Open Range
Both "Open Range" and "No Country for Old Men" depict a violent struggle between an aging protagonist and a ruthless antagonist in the American West. In "No Country for Old Men", Llewelyn Moss stumbles upon a drug deal gone wrong and takes a case of money, pursued by the relentless hitman Anton Chigurh. Similarly in "Open Range", Boss Spearman and his cowhand Charley Waite come into conflict with the corrupt rancher Denton Baxter after Baxter's men attack their cattle crew. The protagonists are forced to confront the antagonists' brutality through intense gunfights and showdowns. Both films explore themes of morality, violence, and the fading frontier through the lens of an aging lawman character, Sheriff Ed Tom Bell in "No Country" and the retired Boss Spearman in "Open Range". The stories culminate in climactic shootouts where the protagonists defeat the villains but are left grappling with the changing, increasingly violent world around them.
Desert Saints
Both "Desert Saints" and "No Country for Old Men" revolve around a ruthless hitman who leaves a trail of bodies in his wake while pursuing a valuable object - a briefcase of money in "No Country for Old Men" and the payoff from a hit in "Desert Saints". The hitmen, Anton Chigurh and Arthur Banks, are cold-blooded killers who operate with a twisted code of ethics, sparing some lives based on chance while mercilessly taking others. The plots follow the hitmen's pursuit of the money/payoff and the attempts of law enforcement (Sheriff Bell and Agent Scanlon's team) to stop them, leading to violent confrontations. Both movies explore themes of fate, morality, and the consequences of greed in a harsh, unforgiving desert landscape. The stories climax with the hitmen confronting the person who took the money, Llewelyn Moss and Agent Harper, resulting in their deaths while the hitmen narrowly escape, leaving an ambiguous ending about their ultimate fates.