100+ Movies like mid90s
The Hillz
Both "The Hillz" and "mid90s" follow a group of teenage friends from a rough neighborhood who engage in reckless and anti-social behavior like skateboarding, drinking, drugs, and petty crime. A central character is drawn into this rebellious lifestyle and alienates themselves from their family. The groups face internal conflicts and power struggles, with one member trying to pursue a more positive path. Tragic events ultimately force the friends to re-evaluate their choices and relationships. The movies portray the harsh realities of growing up in a disadvantaged environment and the consequences of embracing a destructive lifestyle.
Gully
Both "mid90s" and "Gully" depict the lives of troubled teenagers in impoverished areas of Los Angeles, exploring themes of youth rebellion, substance abuse, and the search for belonging amidst dysfunctional family environments. The central characters are young boys who form close-knit friend groups and engage in reckless, anti-social behavior like skateboarding, vandalism, and violence as an escape from their harsh realities. The films portray the characters' descent into self-destructive paths, with tragic consequences stemming from their desire to emulate a hypermasculine, nihilistic lifestyle. Ultimately, both movies offer a raw, unflinching look at the cycle of trauma and the struggles of marginalized youth seeking purpose and identity.
Ken Park
Both "mid90s" and "Ken Park" explore the gritty lives of troubled teenagers navigating dysfunctional families, substance abuse, and reckless behavior. The films center around groups of skater friends who form tight-knit communities and engage in risky activities like skateboarding stunts, underage drinking, and sexual experimentation. Key characters in each movie come from broken homes with abusive or negligent parents, leading them to seek acceptance and belonging among their peers. The stories depict the harsh realities of adolescence, including violence, self-harm, and tragic consequences resulting from the characters' actions. Both films employ a raw, unflinching style in portraying the angst and rebellion of disaffected youth culture.
This Is England
Both "mid90s" and "This Is England" follow the coming-of-age story of a young, troubled boy who finds belonging and a sense of identity by joining a rebellious group of youths. In "mid90s", 13-year-old Stevie is drawn to a group of skateboarders and their daredevil, anti-social attitudes, mirroring how 12-year-old Shaun in "This Is England" is accepted by a gang of skinheads led by the charismatic but unstable Combo. Both protagonists face family issues - Stevie has an abusive brother and single mother, while Shaun's father died in the Falklands War. They seek father figures in the group's leaders, Ray and Combo respectively, who introduce them to reckless behavior like substance abuse and violence. However, the groups eventually fracture due to the leaders' extremist tendencies, forcing the protagonists to re-evaluate their choices and path forward.
Lords of Dogtown
Both "mid90s" and "Lords of Dogtown" follow a group of young skaters in their respective eras - the 1990s and 1970s - as they form a tight-knit crew and pursue their passion for skateboarding. The central characters are drawn to the rebellious, anti-social attitudes and daredevil behavior of the skater lifestyle, experimenting with substance abuse and risky stunts. The movies chronicle their rise to fame and success in the skating world, as well as the tensions and conflicts that arise within the group due to differing motivations and outside influences. Ultimately, the films explore themes of friendship, growing up, and staying true to one's roots amidst the trappings of fame and fortune. The skaters' journeys parallel each other, with a focus on the camaraderie and shared experiences that bind them together despite their individual struggles and diverging paths.
Havoc
Both "mid90s" and "Havoc" explore the lives of disaffected teenagers rebelling against their privileged upbringings by immersing themselves in dangerous subcultures. The protagonists, Stevie in "mid90s" and Allison in "Havoc", are drawn to groups of reckless skaters and gang members, respectively, as an escape from their dysfunctional home lives. They experiment with drugs, alcohol, and risky behavior, leading to violent confrontations and tragic consequences. The films depict the characters' naive romanticization of these lifestyles and their ultimate disillusionment as they face the harsh realities. Themes of peer pressure, identity struggles, and the search for belonging are central to both narratives.
Memoria
Both "mid90s" and "Memoria" follow the coming-of-age stories of disaffected teenage boys who struggle to find their place and identity. The protagonists, Stevie in "mid90s" and Ivan in "Memoria", are drawn to groups of rebellious friends as an escape from their troubled home lives and dysfunctional families. They engage in reckless and self-destructive behavior, experimenting with drugs, alcohol, and risky activities like skateboarding and car accidents. The films explore themes of alienation, peer pressure, and the search for belonging during the turbulent teenage years. Both protagonists experience emotional breakdowns and moments of self-harm, reflecting their inner turmoil. Ultimately, the films depict their journeys towards self-discovery and finding their paths in life, though the endings leave their futures somewhat ambiguous.
Thirteen
Both "mid90s" and "Thirteen" explore the lives of young teenagers who become drawn into rebellious social circles, engaging in reckless and self-destructive behavior like substance abuse, crime, and sexual experimentation. The protagonists, Stevie in "mid90s" and Tracy in "Thirteen", are initially innocent but are seduced by the allure of these edgy friend groups, leading them to alienate themselves from their families. Their new lifestyles bring them into conflict with parental figures who struggle to intervene. Ultimately, the films depict the harsh consequences of the teens' actions, with both Stevie and Tracy suffering physical harm that forces them to re-evaluate their choices and relationships.
Youth in Revolt
Both "mid90s" and "Youth in Revolt" follow the coming-of-age story of a young teenage boy rebelling against his dysfunctional family and finding solace in a group of misfit friends. The protagonists, Stevie and Nick, are drawn to the carefree and rebellious attitudes of their new friend groups, leading them down paths of reckless behavior like substance abuse, vandalism, and sexual experimentation. Despite their mothers' concerns, they become increasingly alienated from their families as they immerse themselves in these new social circles. Tragic events ultimately force the boys to re-evaluate their choices and relationships. The films explore similar themes of adolescent angst, the desire for belonging, and the consequences of youthful recklessness through the lens of flawed but relatable protagonists navigating turbulent home lives and peer influences.
Street Dreams
Both "mid90s" and "Street Dreams" follow the story of a young teenage skateboarder who finds a sense of belonging and identity by joining a group of rebellious skaters. The protagonists, Stevie and Derrick, are drawn to the carefree and daredevil lifestyle of their new skater friends, despite concerns from their parents. They experiment with risky behaviors like drinking, drugs, and reckless skateboarding stunts. The groups face conflicts within, with jealousy and egos clashing, but ultimately find solace in their shared passion for skating. The films depict the protagonists' journeys of self-discovery, independence, and pursuing their dreams in the skateboarding world, while navigating family tensions and peer pressures. Both climax with a pivotal skateboarding competition where the main character must prove themselves and land a challenging trick to achieve their goals.
North Hollywood
Both "mid90s" and "North Hollywood" center around teenage protagonists who are drawn to the rebellious culture of skateboarding. They face conflicts with their families and friends who disapprove of their obsession with skating and the anti-social behavior it encourages. The main characters are torn between pursuing their passion for skating professionally or conforming to societal expectations of getting an education and stable career. They find a sense of belonging and camaraderie with groups of fellow skaters who engage in reckless and self-destructive behavior. The films explore themes of adolescent angst, the search for identity and purpose, and the allure of counterculture lifestyles.
The Toy Soldiers
Both "mid90s" and "The Toy Soldiers" explore the coming-of-age stories of troubled youth navigating difficult family dynamics, substance abuse, and sexual exploration. The films follow parallel narratives of adolescents grappling with dysfunctional home environments, peer pressure, and self-destructive behaviors. Central themes include the loss of innocence, the search for belonging and acceptance, and the consequences of reckless choices. The movies depict the harsh realities of growing up in environments plagued by domestic violence, addiction, and emotional trauma, ultimately leading to life-altering events that force the characters to confront their circumstances.
Veer!
Both "mid90s" and "Veer!" explore the skateboarding subculture and its rebellious, anti-establishment attitudes. The films follow young protagonists who are drawn into the skateboarding scene, with its daredevil stunts and reckless behavior. They depict the characters experimenting with drugs, alcohol, and risky activities as part of their initiation into the skater lifestyle. The movies also examine the themes of responsibility, growing up, and the consequences of fame and success in the skateboarding world. Additionally, both films portray the strained relationships between the young skaters and their families or authority figures who disapprove of their choices.
The Informers
Both "mid90s" and "The Informers" explore the lives of disaffected youth in Los Angeles, grappling with themes of alienation, substance abuse, and reckless behavior. The movies follow groups of young friends who engage in self-destructive activities like drinking, drugs, and casual sex as a means of escape from their troubled home lives and dysfunctional families. The protagonists, Stevie in "mid90s" and Graham in "The Informers", are drawn to these rebellious social circles as they seek a sense of belonging and purpose. Despite the risks, they find solace in the camaraderie and daring exploits of their newfound friends. Both films depict the consequences of such lifestyles, with characters facing emotional breakdowns, accidents, and even death. Ultimately, the movies offer a raw and unflinching portrayal of youth culture's darker underbelly in the respective time periods.
The Last Day of Summer
Both "mid90s" and "The Last Day of Summer" explore the themes of adolescence, friendship, and the transition from childhood to adulthood. The protagonists, Stevie and Luke, are young teenagers navigating the challenges of growing up, finding their identities, and maintaining friendships amid changing social dynamics. They are drawn to rebellious groups (skaters and the "cool" crowd, respectively) that represent an escape from their ordinary lives and a sense of belonging. However, their pursuit of acceptance and desire to fit in leads them to engage in reckless behavior and alienate their closest friends. Both films depict the protagonists' struggles with family issues, peer pressure, and self-discovery. Ultimately, they learn valuable lessons about the importance of true friendship, staying true to themselves, and embracing the inevitable changes that come with growing up.
Kidulthood
Both "mid90s" and "Kidulthood" explore the lives of troubled teenagers navigating difficult social environments and peer groups. The protagonists, Stevie in "mid90s" and Trevor in "Kidulthood", are drawn to rebellious friend groups that engage in reckless behavior like substance abuse and violence. They struggle with dysfunctional family dynamics, with Stevie facing an abusive brother and Trevor dealing with the aftermath of his sister's suicide. The films depict the harsh realities of growing up in impoverished urban areas, with characters facing issues like bullying, crime, and lack of opportunity. Ultimately, both movies culminate in tragic events that force the protagonists to confront the consequences of their choices and the fragility of life.
Alpha Dog
Both "mid90s" and "Alpha Dog" explore the lives of troubled teenagers who get involved with dangerous groups and risky behavior. The main characters, Stevie in "mid90s" and Zack in "Alpha Dog", are drawn to the rebellious attitudes and camaraderie of the older teens they befriend, despite the negative influences. They experiment with drugs, alcohol, and reckless stunts, alienating themselves from their families. The groups are led by charismatic but flawed figures like Ray and Johnny Truelove. Tragic events occur due to the groups' poor decisions and lack of guidance, with Stevie suffering a serious accident and Zack being murdered. The films depict the harsh realities of youth subcultures and the consequences of bad influences.
As You Are
Both "mid90s" and "As You Are" are coming-of-age films set in the 1990s that explore the lives of adolescent boys navigating difficult family situations, substance abuse, and complex relationships. The protagonists in each film find solace and a sense of belonging in a group of rebellious friends who engage in reckless behavior like skateboarding, drinking, and experimenting with drugs. The films depict the harsh realities of growing up, including domestic violence, self-harm, and the loss of innocence. Ultimately, the stories follow the protagonists' journeys of self-discovery and their struggles to find their place in the world amidst the challenges of adolescence.
The Perks of Being a Wallflower
Both "The Perks of Being a Wallflower" and "mid90s" follow the coming-of-age story of a troubled teenage boy who finds solace and belonging in a group of misfit friends. The protagonists, Charlie and Stevie, struggle with personal issues like depression, abuse, and trauma, but find an escape through their newfound social circles. They are drawn to the rebellious and daring attitudes of their friends, engaging in risky behaviors like substance abuse and reckless stunts. However, their tight-knit groups also provide a sense of family and support that they lack at home. The films explore themes of friendship, self-discovery, and the challenges of adolescence through the lens of these outcast youths navigating complex relationships and personal demons. Ultimately, both movies depict the protagonists' journeys of self-acceptance and growth as they find their place in the world.
Cherrybomb
Both "mid90s" and "Cherrybomb" explore the lives of rebellious teenagers who form close-knit friend groups and engage in reckless, anti-social behavior. The main characters are drawn to the camaraderie and daredevil attitudes of their peers, despite disapproval from their families. They experiment with drugs, alcohol, vandalism, and risky stunts as a way to bond and prove themselves. The stories follow their descent into increasingly dangerous situations, culminating in violent confrontations that leave the characters shaken and forced to reevaluate their choices. The films capture the thrill-seeking and desire for acceptance that drive adolescent rebellion, while also depicting the harsh consequences of taking that too far.