100+ Movies like Everything Everywhere All at Once
Reset
Both "Everything Everywhere All at Once" and "Reset" explore the concept of parallel universes and the ability to traverse between them. The protagonists, Evelyn and Xia Tian, are thrust into a multiverse where their choices create alternate realities. They encounter different versions of themselves and loved ones across these universes. The films delve into existential themes of identity, purpose, and the consequences of one's actions. Evelyn and Xia Tian face antagonists, Jobu Tupaki and Tsui Hu respectively, who seek to exploit the multiverse for their own ends. Both films climax with the protagonists gaining the ability to manipulate matter and traverse the multiverse, ultimately choosing to embrace their core values and relationships over nihilism or selfish desires. The movies parallel each other in their exploration of the human condition through the lens of the multiverse theory.
Just Follow Law
Both "Just Follow Law" and "Everything Everywhere All at Once" explore the concept of parallel universes and characters experiencing different versions of themselves and their lives. In "Just Follow Law", Tanya Chew and Lim Teng Zui swap bodies, forcing them to live each other's lives and gain new perspectives. Similarly, in "Everything Everywhere All at Once", Evelyn gains the ability to verse-jump and experience parallel universes where she made different choices. The movies also share themes of self-discovery, repairing relationships with family, and finding meaning in life's absurdities. Both feature protagonists who initially struggle but ultimately embrace empathy and kindness towards others. Additionally, the movies incorporate elements of humor and action into their fantastical, metaphysical premises.
Yi Yi
Both "Yi Yi" and "Everything Everywhere All at Once" explore themes of family relationships, generational divides, and the search for meaning in life through the lens of middle-class families dealing with personal crises. The films follow multiple interconnected storylines involving parents, children, and grandparents navigating complex emotional journeys. Key parallels include: - Central focus on a middle-aged parent (NJ in "Yi Yi", Evelyn in "Everything Everywhere") grappling with dissatisfaction, regrets, and a strained relationship with their spouse and children. - Exploration of the parent's past romantic history and lingering feelings for an ex-partner (Sherry for NJ, Waymond's divorce plans for Evelyn). - Children (Ting-Ting/Yang-Yang and Joy) struggling with their own personal issues and relationships while seeking to understand their parents. - The presence of an elderly, ailing grandmother figure whose health crisis acts as a catalyst for family introspection. - Themes of generational trauma, cultural divides, and the need for empathy and human connection to find meaning amidst life's complexities.
Hello, Love, Goodbye
Both "Hello, Love, Goodbye" and "Everything Everywhere All at Once" explore the lives of Asian immigrants navigating challenges in a foreign land. The protagonists, Evelyn and Joy, face struggles with their identities, relationships, and aspirations. While "Everything Everywhere All at Once" takes a fantastical, multiverse approach, and "Hello, Love, Goodbye" is grounded in realism, both films depict the protagonists' journeys of self-discovery and reconciliation with their loved ones. The movies share themes of family dynamics, cultural clashes, and finding purpose amidst adversity. Ultimately, the protagonists gain a deeper appreciation for their roots and connections.
Long Life, Happiness and Prosperity
Both "Long Life, Happiness and Prosperity" and "Everything Everywhere All at Once" explore themes of family relationships, cultural identity, and finding meaning in life through absurdist and fantastical elements. The protagonists are Chinese immigrant families struggling with generational divides, strained parent-child bonds, and the pursuit of happiness and fulfillment. Magical realism and supernatural forces intervene, allowing the characters to explore parallel realities and alternate versions of themselves. Through these metaphysical journeys, the families ultimately reconcile, accept each other's differences, and gain a deeper appreciation for the importance of love, empathy, and living in the present moment despite life's complexities. The movies blend drama, comedy, and imaginative visuals to convey profound messages about human connection and embracing the chaos of existence.
Suddenly Seventeen
Both "Everything Everywhere All at Once" and "Suddenly Seventeen" explore the concept of parallel universes and alternate versions of the main character. In "Everything Everywhere All at Once", Evelyn gains the ability to verse-jump and access the skills and memories of her parallel selves across the multiverse. Similarly, in "Suddenly Seventeen", Liang Xia's body is inhabited by her 17-year-old self for periods of time after eating magical chocolates, allowing her younger self to experience her current life. The films follow the protagonists as they navigate these alternate realities and versions of themselves, ultimately leading to personal growth and reconciliation with their loved ones. Both movies blend elements of sci-fi, comedy, and drama to explore themes of identity, relationships, and finding meaning in life's choices.
Parallel
Both "Everything Everywhere All at Once" and "Parallel" explore the concept of parallel universes and the ability to traverse between them. The protagonists in both films discover a means to access alternate realities where different versions of themselves exist based on choices they made. This allows them to experience vastly different lives and gain new skills and knowledge from their parallel selves. The films also share a theme of the consequences and moral implications of exploiting the multiverse for personal gain. In "Everything Everywhere All at Once", the villain Jobu Tupaki seeks to destroy the multiverse out of nihilistic beliefs, while in "Parallel", the characters abuse the parallel universes for wealth and power, leading to disastrous results. Both movies feature a central character (Evelyn in "Everything Everywhere All at Once" and Devin in "Parallel") who initially struggles with the concept of the multiverse but ultimately embraces it as a means of self-discovery and personal growth. They learn to appreciate the value of their own lives and relationships, even amidst the chaos of the multiverse.
Feng Shui
Both "Everything Everywhere All at Once" and "Feng Shui" explore the concept of parallel universes and the consequences of choices made across different realities. In "Everything Everywhere All at Once", Evelyn gains the ability to verse-jump and access skills and memories from her parallel selves, similar to how the bagua mirror in "Feng Shui" brings good luck but also death to those connected to its curse across different years represented by the Chinese zodiac animals. The protagonists, Evelyn and Joy, face existential crises as they confront the implications of the multiverse and must make pivotal choices that impact not only their own lives but those of their loved ones across realities. Both films delve into themes of family, acceptance, and finding meaning in the absurdity of existence. The multiverse serves as a metaphor for the infinite possibilities and consequences of our choices, challenging the characters to embrace empathy, kindness, and the interconnectedness of all things.
Wendy Wu: Homecoming Warrior
Both "Wendy Wu: Homecoming Warrior" and "Everything Everywhere All at Once" revolve around an ordinary person, a young woman, who discovers she has a greater destiny and special powers to fight against an evil force that threatens to destroy the world or universe. They are unexpectedly thrust into a fantastical world of martial arts and parallel realities, guided by a mentor figure who helps them unlock their true potential. The protagonists must embrace their cultural heritage and inner strength to defeat the villain, while also navigating personal relationships and coming-of-age struggles. Ultimately, they learn to find balance between their newfound powers and their grounded reality, emerging as empowered heroes who save the day through self-discovery and acceptance of their identity.
My Monster Mom
Both "My Monster Mom" and "Everything Everywhere All at Once" center around a middle-aged mother figure who struggles with family relationships and personal identity. In "Everything Everywhere All at Once", Evelyn grapples with her strained relationship with her daughter Joy and her marriage to Waymond, while in "My Monster Mom", Esme reunites with her estranged daughter Abbey after 27 years and contends with her unconventional family dynamics involving her two sons from different fathers. The films explore themes of intergenerational conflict, acceptance, and finding meaning amidst chaos through the lens of the mother-daughter bond. Additionally, both movies incorporate elements of the absurd and surreal, with "Everything Everywhere All at Once" delving into the multiverse concept and "My Monster Mom" employing over-the-top comedic situations. Ultimately, the protagonists undergo personal transformations and reconcile with their loved ones, emphasizing the importance of empathy and embracing life's complexities.
Me Myself I
Both "Me Myself I" and "Everything Everywhere All at Once" explore the concept of parallel universes and alternate realities, where the protagonists experience different versions of their lives based on choices they made. In "Everything Everywhere All at Once", Evelyn gains the ability to verse-jump and access the skills and memories of her parallel selves across the multiverse. Similarly, in "Me Myself I", Pamela Drury switches places with her married counterpart Pamela Dickson, experiencing the life she could have had if she married her ex-boyfriend Robert. The movies delve into existential themes of finding meaning and purpose amidst the chaos of infinite possibilities. Evelyn initially struggles with nihilism before realizing the value in embracing the absurdity of life, while Pamela Drury gains a newfound appreciation for her single life after experiencing the married version. Both protagonists undergo transformative journeys of self-discovery and reconciliation with their choices. The narratives explore the complexities of relationships, particularly between mothers and daughters. Evelyn's strained relationship with her daughter Joy mirrors Pamela Dickson's dissatisfaction with her married life. Ultimately, both Evelyn and Pamela come to appreciate the importance of family and personal connections, regardless of the universe they inhabit.
Face
Both "Face" and "Everything Everywhere All at Once" explore the complex relationships and generational divides within Asian-American families, particularly between mothers and daughters. They deal with themes of cultural identity, tradition versus modernity, and the struggles of immigrant families to adapt to life in America. The protagonists are young women torn between their heritage and forging their own paths, while their mothers represent the traditional values and expectations. Major plot points revolve around family conflicts, personal growth, and reconciliation across cultural and generational gaps. The stories also touch on issues of racism, societal pressures, and finding one's place in a multicultural society.
Joy Ride
Both "Joy Ride" and "Everything Everywhere All at Once" follow a group of friends, including an overachieving Asian woman, on an absurd, chaotic journey across multiple locations. The protagonists encounter bizarre, surreal situations and parallel realities/universes that force them to confront their relationships, identities, and life choices. Through these experiences, they gain new perspectives and ultimately find acceptance, empowerment, and reconciliation with themselves and each other. The stories blend elements of comedy, drama, action, and metaphysical themes of the multiverse and existentialism. The protagonists undergo personal transformations and epiphanies about the meaning of life, relationships, and being true to oneself.
Under One Roof
Both "Under One Roof" and "Everything Everywhere All at Once" explore themes of family relationships, cultural identity, and acceptance of one's true self. The protagonists, Evelyn in "Everything Everywhere All at Once" and Daniel in "Under One Roof", struggle with the expectations and pressures from their traditional Chinese immigrant families, particularly regarding marriage and carrying on the family line. They face challenges in revealing their true selves - Evelyn's multiverse exploration and Daniel's sexuality - to their disapproving mothers. The movies depict the protagonists' journeys of self-discovery, overcoming obstacles, and ultimately finding understanding and reconciliation within their families. The central conflict revolves around the clash between cultural traditions and personal desires, as well as the generational divide. Both films use humor and absurdity to explore deeper themes of identity, purpose, and the meaning of life.
I Do, I Do
Both "I Do, I Do" and "Everything Everywhere All at Once" explore themes of relationships, family dynamics, and finding meaning in life's absurdities. The protagonists, Evelyn in "Everything Everywhere All at Once" and Liu Wenhui in "I Do, I Do", face challenges in their personal and romantic relationships. They undergo transformative journeys where they confront their choices and gain new perspectives, ultimately leading to reconciliation and acceptance within their families. The multiverse concept in "Everything Everywhere All at Once" parallels the multiple storylines and deception in "I Do, I Do", as both movies present alternative realities and explore the consequences of different choices. Despite the vastly different settings, both films emphasize the importance of empathy, kindness, and embracing the absurd in finding purpose and happiness.
Two Faces of My Girlfriend
Both "Two Faces of My Girlfriend" and "Everything Everywhere All at Once" explore the concept of parallel realities or alternate personalities existing within a single individual. In "Everything Everywhere All at Once", Evelyn gains the ability to access different versions of herself across the multiverse, each representing choices she could have made in life. Similarly, in "Two Faces of My Girlfriend", the character Ani has dissociative identity disorder, with her alternate personality Hani representing a contrasting side of her identity. The protagonists in both films must navigate and reconcile these different facets of themselves or their loved ones. Additionally, both stories involve a journey of self-discovery and acceptance, as Evelyn learns to embrace her full potential across realities, while Gu-chang must come to terms with Ani's condition and multiple personas.
Jack and Jill
Both "Jack and Jill" and "Everything Everywhere All at Once" center around a strained relationship between siblings (Evelyn and Joy in Everything Everywhere, Jack and Jill in Jack and Jill) that is repaired over the course of the story. The siblings initially have difficulty understanding and accepting each other, but through a series of bizarre, surreal, and comedic events, they gain a newfound appreciation for their bond. The movies explore themes of family, acceptance, and finding meaning in the chaos and absurdity of life. While Everything Everywhere incorporates elements of the multiverse and parallel realities, Jack and Jill takes a more grounded approach with its humor and situational comedy.
Lucy
Both "Lucy" and "Everything Everywhere All at Once" explore the concept of a protagonist gaining extraordinary abilities to transcend the boundaries of the physical world and access the multiverse. Lucy ingests a powerful drug that unlocks her brain's full potential, granting her superhuman powers like telepathy and telekinesis. Similarly, Evelyn acquires "verse-jumping" technology that allows her to tap into the skills and memories of her parallel selves across the multiverse. Both movies depict the protagonists' journeys of self-discovery and empowerment as they navigate the complexities of their newfound abilities. The movies also share a common theme of existentialism and the search for meaning in a chaotic, seemingly meaningless universe. Lucy's journey leads her to witness the origins of the universe and contemplate the nature of existence, while Evelyn grapples with the nihilistic philosophy of Jobu Tupaki, who believes that nothing ultimately matters. Both protagonists ultimately find purpose and meaning through their connections with others and a willingness to embrace the absurdity of life. Furthermore, both films feature antagonists who represent the darker aspects of the protagonists' powers. Jobu Tupaki, a version of Evelyn's daughter, has become unhinged by her ability to experience all universes simultaneously, while Mr. Jang seeks to exploit Lucy's abilities for his own gain. The protagonists must confront and overcome these threats to prevent the destruction of the multiverse or the misuse of their powers.
Tigertail
Both "Everything Everywhere All at Once" and "Tigertail" explore themes of family relationships, intergenerational conflict, and the immigrant experience. The protagonists, Evelyn and Pin-Jui, struggle to connect with their children and navigate cultural divides. Both films feature parallel universes/timelines where the characters confront alternative versions of themselves and their choices. The movies delve into existential questions about the meaning of life and finding purpose amidst chaos. Ultimately, the protagonists gain a deeper appreciation for their loved ones and learn to embrace the present moment despite life's complexities.
Supercollider
Both "Everything Everywhere All at Once" and "Supercollider" explore the concept of parallel universes and alternate realities created by choices and events. The protagonists, Evelyn and Victor, find themselves thrust into these parallel worlds due to technological experiments gone awry - the "verse-jumping" technology and the Zero Point Collider, respectively. They encounter versions of themselves, loved ones, and others who made different choices, leading to vastly different lives. The films follow their journeys to navigate these realities, confront existential crises, and ultimately find meaning and reconciliation with their core identities and relationships. Central themes include the consequences of choices, the nature of reality, and the importance of human connections amidst cosmic chaos. Both movies blend mind-bending sci-fi concepts with deeply personal, emotional narratives.